The Blind Side With Tim McGraw

he Blind Side of Tim McGraw  2009-11-13
Nashville, TN- Renowned country music artist Tim McGraw hosted the VIP Screening of his new film 'The Blind Side' at the Regal Green Hills Cinema 16 on Thursday, November 12th at 6pm. Attendance on the red carpet included Tim McGraw, director John Lee Hancock, producer Gil Netter, and celebrates Faith Hill, Keith Urban, Nicole Kidman, Carry Underwood, Michelle Branch, Martina McBride, Barbara Mandrell, Wynonna and Naomi Judd, Larry King (CNN), Jeff Fisher (Head Coach, Tennessee Titans) and additional players from the Tennessee Titans. Pictured on left: Tim McGraw & Faith Hill
Photo Credit: Bev Moser; www.momentsbymoser.com

The film 'The Blind Side' is the inspiring true story about the remarkable, All-American Football star Michael Oher (played by actor Quinton Aaron). The story begins when homeless student and football player Michael Oher, is taken in by the Tuohy family. Under their guidance and love, Michael Oher is given the chance to reach his full potential as a student, as a football player, and as a person. The film stars Sandra Bullock, Tim McGraw, Quinton Aaron, and Kathy Bates.

Tim McGraw and the entire cast received outstanding reviews from the screening audience at the premiere Thursday. Many found their performances to be "masterful", "heartfelt", and "truly inspirational".

'The Blind Side' will premiere nationwide on Friday, November 20th. 'The Blind Side' is a presentation of Alcon Entertainment and will be distributed by Warner Bros. The film has been rated PG-13 for brief violence, drug and sexual references. For Red Carpet Footage: Click Here

PRESS RELEASE:Successful Birthday Bash for Gary Nicholson and NSAI


Over the weekend (11/7), hit songwriter and Grammy-winner Gary Nicholson celebrated his 60th birthday – and 30 years in Nashville – with a benefit for the Nashville Songwriters Association International (NSAI) at 3rd & Lindsley. The packed house was sold out and featured performances by Fortunate Sons (Kenny Greenberg, Michael Rhodes, Chad Cromwell, Reese Winans, Gary Nicholson); Steve Cropper, Ashley Cleveland, Pam Tillis, Jessi Alexander, Leslie Satcher, Luke and the Latenites, Jonell Mosser, A.J. Croce, Pat McLaughlin, Tony Arata, Danny Flowers, Chuck Cannon, Lari White, Tom Hambridge, Beth Nielsen Chapman, Mike Reid and Colin Linden. TV personality Harry Chapman hosted the evening. Check out Nicholson’s music at garynicholson.com and for more information on NSAI, visit nashvillesongwriters.com.
Pictured (L-R): NSAI Communications Director Erin Burr; NSAI Executive Director Bart Herbison; Nicholson; Nicholson’s wife Barbara Nicholson; songwriter Beth Nielsen Chapman; Jon Randall & Jessi Alexander’s daughter Shyla; songwriters Jessi Alexander and Colin Linden.

Photo Credit: Bev Moser / Moments By Moser – 11.7.09

INTERVIEW: Cooper Boone

Cooper Boone is not a household name – not yet, but he is working on it. Cooper and I spent a very relaxing afternoon in Nashville to talk about all the exciting things he has going on – and there is a lot! Cooper has just released his second CD project, he has a television cooking show and has a hand full of other projects that keep him traveling between Nashville, his farm on the East Coast and New York City. Cooper is as genuine as they come and has a voice that will keep you listening to the CD over and over; my prediction is that we will soon hear his name quite often.

Bev: Wow, Cooper, where do we begin. I was reading your blog earlier and you never sit still.
Cooper: I actually took a short break recently to focus on a project and I stopped blogging. I couldn’t believe how many people looked forward to it. I was trying to commit to everyday, but it takes a lot of time to let people know what I am up to all of the time. But they love it.
Bev: I need to share something with you about your horseshoe logo that is on all of your websites and promotional items, you need to turn it upside down, the way you have it is considered bad luck.
Cooper: (Smiling) There are two beliefs around that. I will educate you. (He shows me his necklace) I’ve had this logo for years. There is a belief that when the open end is pointed upward; it holds your luck and there is a belief that when the open end is down; it pours into you. It’s the old is the glass half empty or is the glass half full.
Bev: I’ve never heard that before.
Cooper: So this has been a funny little necklace I’ve had for probably twenty years that has turned into part of my brand.
Bev: Branding is the new thing and a big part of the image you want people to recognize you by.
Cooper: For my cooking show and associated projects I am branding a line of food and it’s amazing what goes into that whole process. I have gained much respect for bookers, branders and those who market the product, because I’m doing a lot of leg work myself.
Bev: Speaking of leg work, you travel often between Nashville, New York and your home in North Carolina, do you enjoy the variance?
Cooper: I love Nashville, I wish I were here more, but I have to split my time between here, my farm and New York.
Bev: What’s in New York?
Cooper: I consult at a nursing home.
Bev: Really?! That’s a far cry from the music industry.
Cooper: I have a doctorate in Psychology. I started in music very young but it wasn’t the right time; I basically did weddings, I was the wedding singer. It put me through graduate school. I felt I was called to work with struggling people, so I worked in a center for drug addicts and with AIDS babies when no one would touch them. I also worked at a prison and in the projects so I have accumulated a lot of real life experience to use in my song writing.
Bev: What took you to New York?
Cooper: I went there for my doctoral internship and ended up getting hired by the hospital to work with AIDS babies. I don’t have a huge love affair with New York City. I appreciate it in a very different way now that I’m not there full-time and that’s why I bought the farm. It reminds me a lot of where I come from in Minnesota and it has become my sanity. I have an 1866 farm house, which originally was a German-American boarding house.
Bev: Do you raise your own food and do gardening there as part of your cooking show? Tell me how you went from New York to a TV show and being a country artist.
Cooper: Long story short Cowboy Kitchen which is what we were going to call it, is now called Coop’s Kitchen and my goal is to show people that they can merge things that they love into high brands. It took off due to a Hollywood Music Award I won last year for best country artist and as a result of being in LA I got calls from agencies to do get the cooking show off the ground.
Bev: Where are they doing the filming at?
Cooper: At the farm primarily but possibly Nashville as well because there’s a possibility to have some well known names on the show, so if that all falls into place then we will do some filming here and also in LA.
Bev: Had you always been a big cook?
Cooper: Well in my family cooking was a survival tool. I started cooking at 5 or 6 years old. I have a line of food coming out in November that includes barbeque sauces, jams, jellies, salsas, chips and coffee. The goal is to get onto QVC and package it as a food and music package. So when you buy a Coop’s kitchen product you always get a CD.
Cooper: I’m meeting with major networks to show them the pilot. I rounded up some really cool guests that are joining me; food-y people, authors, movie stars; so it should be an interesting little adventure.
Bev: Filming TV and making music video’s is not so much different; have you done music videos for any of your songs?
Cooper: We just finished the video it’s to “Country Living” and I filmed it upstate. I have a whole different appreciation for what it means to put out a music video. It was a three day and scenes were built, there were several different locations, costumes, make up, lighting and then weather. I was amazed. Kudos! Kudos ladies and gentleman for what you do.
Bev: Let’s talk about the CD. You mentioned starting singing when you were young – how young?
Cooper: It was choir! School choir. When I hear about school programs cutting music programs I cringe. Choir changed my life. I was in church choir as well. That was a place that I learned so many skills sets, mostly how to work as a team and in choir there aren’t stars. I got my ear from that, my ear for the harmonies which I love. A lot of my music is very harmonic. I don’t consider myself an entertainer as much as a songwriter or singer. I am here to entertain people and bring them on some kind of journey. My inspiration really is Jimmy Buffet in terms as a brand and what he has done with food and music. I want to do all of that.
Bev: Do you write or co-write most of your own songs?
Cooper: I co-write a lot. Angela Kaset and I wrote a song with James Dean Hicks, who I love. He’s brilliant. That was an amazing day we wrote, “What I did today” which is a ballad and it’s a great song actually. Angela is a dear friend and we continue to write together and we’re doing a Christmas show in New York.
Bev: Lets talk more about the CD you have just released, what do you love about it?
Cooper: The entire project is deep and fun and silly. It has meaningful ballads that I pulled from my experience with working with crazy people for many years and my own crazy-ness as well. It’s about epiphanies that happen in ones lives when you get to a certain moment. It is about paying attention to life and that life is about relationships and service; that is how I was raised. Life is about repair and knowing you can always go back to repair relationships and mending fences. “What I Did Today” is about waking up to my life. Moments where you get so unconscious about humanity. It’s about a re-awakening of my life. There’s a song in there called “Yes” and I say yes because I’m all run out of no’s. Then there are songs about silly-ness. I’ve got “Cougar Dream”, a song that has garnered press. It’s my homage to hot women over forty. I didn’t even know what a cougar was a year and a half ago. When I play that song it comes from a good place; there aren’t enough songs for ladies over forty and I’ve decided to write this one for them and it’s silly, it’s funny. USA Today did an article on it and the song is catching on, especially with the new TV show out there now. Timing is everything.
Bev: When you look into your audience, what kind of fan base do you have?
Cooper: Women over thirty. These are ladies who watch QVC, work hard, raise children and have jobs. You know what the best compliment is? It is not from country music fans; but when I get something from someone saying I didn’t get into country music until today. I get choked up every time they say that. We get into our ruts and our rituals that we do. So I if I need to woo country music fans through food and merge two of my favorite things, then I am very happy.
Bev: With the economy as it is and the ever changing marketing, digital vs hard copy; what else are you doing outside the box to promote your music?
Cooper: There’s a song called “One Song”, I wrote for DKMS which is for the world’s largest leukemia bone marrow matching bank. Leukemia mostly affects children which is a huge cause of mine; as is the general well being of kids. I wrote their theme song and sang it at the Cipriani which is the coolest place I’ve ever been to in my life. It’s an old bank that’s a restaurant in New York City. I had a children’s choir back me.
Bev: What’s been the worst experience while making music?
Cooper: The worst is the monster machine of the business. It’s frustrating because it is filled with a lot of power. I guess it is the curiosity and then figuring out the problems of it; then knowing, somehow dancing a little bit with it but making sure I don’t take the dance to seriously. It’s a very tricky thing and I find it very frustrating.
Bev: What has been one of the craziest things a fan has ever done or told you?
Cooper: I have been asked to father children, I have had undergarments taken off, and I have had people stalk me at my house. I’ve had young ladies want me to marry their mother, everything.
Bev: When that sort of thing happens, what thoughts go through your head?
Cooper: I have a pretty good sense of humor. I just play along with it and attempt to say some clever thing without hurting people’s feelings. People hopefully know me for saying crazy stuff to them. Not much shocks me.
Bev: What about something that has been very emotional? Has there been something someone said that you didn’t expect?
Cooper: Yes, several times. I have spent and shed many tears with fans. I have been to some very deep places in these songs and it touches people. I wrote a song for my grandmother which is called “Celia’s Hand”. I struggled for many years on how to write it and a woman came up to me and told me your grandmother would be very proud of you and that always touches me. My grandmother was very very dear to me. She’s been gone since 1993 and still; she’s the driving force and ultimately why I’m sitting here. She believed in me and didn’t think I was stupid.
Bev: You said it took a long time to write, how long?
Cooper: Fifteen years. The loss was very painful for me; the loss was just to close. When I did the album release party, my mother and sister were there and I had cousins fly in and they were all weeping.
Bev: Is that song your all time favorite?
Cooper: Absolutely. It means the most to me.
Bev: When you write do you have a specific way you like to write or are you an idea person and you’ve just got to spill it out right now?
Cooper: What I do is, because I forget everything, I write it down right away and if I can’t I’m always calling my voicemail with song ideas, like three or four times a day. Then I’ll sit down, and this is what I love about Nashville, people will are not stingy down here about writing because it’s a relationship industry like everything else. I’ve been very fortunate that so much is a co-write here and I love that. That’s synergistic and I don’t think there is anywhere else in the world where people are like that
Bev: What kind of music is your influence?
Cooper: Anything, I listen to anything. Even contemporary and there is some rap I like. It all depends on what they’re saying and if I can understand it. I love Mary J Blige in terms of R&B I’m a huge fan of Garth Brooks, as an entertainer it doesn’t get better than him. I saw him at a state fair many moons ago and I just found him to be so generous to the audience and his energy and who he was. I’m a big, big fan of Little Big Town. Lots of harmonies and they are very Fleetwood Mac, which is what I grew up on and I enjoy The Eagles. In terms of folk, I grew up on a lot of James Taylor. I love John Denver; He wrote a lot about the things that I connect with, such as nature, the environment and just being outside. Leann Rimes is simply good, through and through and she has a great live show. Kathy Mattea I could listen to til the cows come home; there’s just something about that voice. Of course Angela Kaset. Angela has that kind of Carly Simon quality to her voice, so obviously a lot of genre’s and a lot of different ages but I think you have got to keep yourself open to music, to life. It gets into your soul and influences you in some way. It also helps you define what you don’t like as well as what you like.
Bev: Do you have any advice for new artists?
Cooper: I hope that when people hear my story they get inspired more and more, and go for what they want. People are so stuck in fear, and I understand that, I’ve been there, but once again you don’t know until you’ve been there.
Bev: Is there anything we have not covered?
Cooper: I am going to do a cookbook this year! A publishing company wants me to do a cookbook and of course I am planning to have a CD in it. Everything’s got to have music with it.
Bev: When you are in the kitchen, do you sing while you’re cooking?
Cooper: Yes! We sing on the show! We cook and while it’s baking we do a song and go back and eat and we’re done. It’s Paula Dean meets the show Crossroads, literally.
Bev: I have enjoyed talking with you so much and your CD is amazing. I look forward to seeing the TV show.
Cooper: Thanks and I enjoyed this time as well and thank you for your time.

For more information on Cooper Boone visit http://www.cooperboone.com/ or www.myspace.com/cooperboonemusic

INTERVIEW: Anne Murray "All Of Me"

Anne Murray stopped at the Country Music Hall of Fame in Nashville on October 27th to sign copies of her new book titled “All Of Me”. I sat down with Anne after she spent time with the long line of fans that turned out to see her and get a copy of the book autographed. We discussed the personal aspect of writing about yourself as well as the good and the bad memories that come out while searching a person’s soul for content to include in the book.

Q: Your new project is titled, “All of Me” Was the title of the book something you struggled with?

Anne: There were several title suggestions on the list but this one is the one that stuck. I think the book is revealing in the sense that it is my life and I talked about it and I hadn’t done anything like that before. I have kind of kept my life to myself. I think it is a good title

Q: What prompted you to do it now and how is it different for you to give a piece of yourself in a book versus giving a piece of yourself in a song?

Anne: I did the book now because I had some time on my hands. I did a tour in 2008, a three and a half month tour of Canada and the US. I thought that was enough. I have been thinking about retirement for a while and at the end of the tour, I proved to myself I could still do it and come out the other end still singing alright. So I thought that was enough of that. In 2007 I did what I think is my last album; I did a duet album. People have been trying to get me to write a book. I have had a couple of publishers after me but I wasn’t ready, it wasn’t time. Now, I thought it was time. I sat down and started to talk and do some research and here we are.

Singing about something is quite different than sitting down and writing and putting it down on paper because you have to re-live your life and some of it you don’t want to re-live. I had put a lot of it behind me and I had to go back down some roads that were not pleasant. In fact it was very painful going down some of those roads, but in order to tell the story properly, I had to do it. There was a time in the middle of it that I didn’t know if I could go on. My daughter said “why are you doing this, you have been so private about this all these years, why do you have to tell all this stuff now”? In Canada, this book would have been written, no question about it, a book would have been written about my life with or without my permission. I wanted it to come from me. I didn’t want anyone else to write it and make stuff up. It is my story, it is my voice and that is why I decided to do it.

Q: How do you put a life such as yours in one document?

Anne: It is hard. There are things you have to leave out. I was working with a writer with the Globe and Mail Newspaper in Toronto. He has done books before and he was good at picking and choosing. We talked for 30 to 40 hrs on tape and used my Mother’s 30-40 scrapbooks. She kept everything, every clipping I ever had, it was all there for us. There were some things he wrote that I just couldn’t allow in the book because I thought those things would hurt people. This book is about me, it is okay for me to tell stories on myself, and I didn’t want to hurt anyone else. In the book, if it sounds like I am telling tales out of school, I have run these stories by these people; I have run it by them to make sure it is okay with them so they wouldn’t come after me afterwards. (laughing)

Q: You mentioned your daughter; she had a working mom, one that traveled away from home. What did she think about it after reading the book?

Anne: Dawn was not all that happy about me doing the book. She didn’t want to share the things about her anorexia that she is trying to put it behind her. She is doing great. What I wrote, I ran by her and she changed a few things and is okay with it. You can understand no book is worth any dissension in a family so I made sure everyone was okay with it before it went to print, especially my family. Some people have said “this is not how it happened” or “that is not how I remember it” and I have told them that this is my story and I have to tell it the way I remember it.

Q: Is there any passages in the book that are your favorite, close to your heart or certain stories that you are really proud of that you really wanted to get out there.

Anne: It is the fun stories I wanted to tell. Everyone’s career has ups and downs, we all know that. There are fun times and there are tragic times and nobody escapes that and I talk about that. In those early days there were lots of drugs and lots of alcohol as there was in the 1970s. I have included some of those stories. The drugs were not fun for me, I didn’t do drugs but the drugs were being done all around me and having to deal with that was hard. But talking about some of the things that happened out on the road was a fun trip down memory lane.

Q: In talking about the CD and the music, while choosing music for the album was it as big a chore as putting your life out there and deciding what to include?

Anne: Music is much easier because you can hide behind the music. It is not as though I wrote the songs because, I didn’t, I was interpreting the songs. As much as I tried to sing about the songs and interpret them the best I could, those were not my words. These are my words and this is my life, for better or worse.

Q: What time span are we talking about with writing the book?

Anne: We started talking about this in January of this year and there was a deadline. I figured if there was a deadline of five years, I would take five years; but they gave me a deadline of six or seven months to write the book so we did nothing but focus on getting it done. Michael Posner would write a chapter and send it to me. I would read it, take a week or ten days, rewrite it to make it sound more like me, make sure all the facts were right and send it back to him. We would send the chapters back and forth. We were on the computer for hours every day, a long tedious process.


Q: Now that you are officially retired and your book tour is done, what are your plans?

Anne: I don’t really know what I am going to do. I am going to play some golf and take some time for me and find a way to not feel guilty for not working. I have worked so hard and for so long and been so busy for so long and I really believe I need some time for myself. The trick is to find that balance of not feeling guilty. I need to find a day and do two Suduko’s and two crossword puzzles, find some time and relax a little, read some books and play some golf.

With the high profile that I have, I have the opportunity to get involved with some charities, do some charity work and help people. I am on the board of a couple of charitable organizations and I have the time to devote to that. I think that would be a good thing.

Q: Thinking about the value of your experience, for the young lady that is aspiring to reach the heights you have, what would you tell her?

Anne: I would have to say you have to be willing to work really, really hard and you have to do an awful lot of things you don’t want to do, but it is all part of being in the business. You have to be prepared to sacrifice a lot to have a career. I think people in these careers are learning how to have families and spend more time with them. I was the bread winner and I had to do it all.

Q: Thank you for giving for so many wonderful years of beautiful music and for sharing “All Of Me” with us.

Anne: It has been my pleasure and you are so welcome. Thank you for visiting with me, I have enjoyed it.


For more information on Anne Murray visit www.annemurray.com

For additional photos of Anne Murray visit Digital Rodeo Pics at http://www.digitalrodeo.com/drphotos/photos/album/AnneMurrayAllOfMe

ARTICLE: #1 Party at ASCAP for "Out Last Night"

ASCAP held a #1 Party on Wednesday October 21st to celebrate the hit single “Out Last Night” recorded by Kenny Chesney and written by Brett James and Kenny Chesney. Members of Music Row as well as friends and family filled the room to show support in recognizing the songwriters for the special occasion. Connie Bradley welcomed everyone in attendance by announcing the song was # 1 on R & R as well as Billboard for two weeks which garnered much cheering and applause as the songwriters made their way to the front of the room to be recognized for the achievement.

“Out Last Night” is the sixth #1 for Brett James and this is his eighth hit single in 2009 alone. Bradley proudly reminded everyone he was the ASCAP Songwriter of the Year in 2006 and her prediction is that he is working on the award again for this year which again brought whistles and cheers from the crowd.

The single is Kenny Chesney’s fourth #1as a songwriter, and two of them have been with Brett James, so it goes without saying that this made for a very special party. Chesney has achieved nineteen career number one songs, four CMA Entertainer of the Year Awards and is nominated again for the CMA title that will be held next month. If he wins it will be a new record. Chesney has also won four consecutive ACM Entertainer of the Year Awards. The current Sun City Carnival Tour sponsored by Corona Extra has found Chesney in twelve NFL stadiums and playing to more than 1.1 million fans which makes this the eighth year for Chesney to play for over a million fans and makes him the biggest ticket seller of any music genre in this century.
Hank Adam Locklin, Senior Manager of Membership and Industry Relations for CMA presented both James and Chesney with number one awards and spoke generously of their selflessness and both men’s genuine character. CRB Executive Director, Ed Salamon was also on hand to show appreciation and recognition to both writers mentioning the impact they have had on country radio and noting memories from their involvement and participation in past Country Radio Seminar Showcases. A number one plaque was also presented to the two gentlemen by the Art Director for Country Weekly Magazine, Jerry Holthouse.
“Out Last Night” was produced by ASCAP’s Buddy Cannon who was on hand to accept recognition with a number one plaque. Publishers recognized were Sony/ATV Music Publishing, who has held the number one position on Billboard charts for twelve weeks over the summer months of 2009 and Stage Three Music Publishing, which has had four number one songs of the year in 2009. Troy Tomlinson, President and CEO of Sony/ATV Music Publishing Nashville, noted he has worked with Kenny Chesney for over eighteen years and he said he is frequently asked by reporters what he likes most about working with Kenny and what he likes the least, which he said ironically is the same answer for both questions, which is that even though Chesney writes a lot of music, it is difficult to get him to record it; and when he does, he usually cuts his own songs from a project first if he is forced to choose and put in a position to narrow down the final songs on a project. He also said for him to encourage his own songs to be released as a single is rare. He stated these things are what he hates the most, but also respects the most about Chesney. Tomlinson also gave special recognition to the team of Promotions of BNA Records Brian Frasier, Joe Galante and Butch Waugh commemorating the achievement of a number one song with a special plaque.

Tim Hunze, General Manager of Stage Three Music was quoted as saying that both Kenny Chesney and Brett James accomplishments have been “ridiculous” but were the result of working very hard and putting everything into what they do best. He gave uniquely framed #1 plaques to James, Chesney and Cannon and mentioned again the appreciation of all the hard work that went into the song.

During the thank you’s Brett James gave Kenny Chesney a “little something” to remind him of who he is. A black t-shirt with white lettering across the chest that said “I am Brad Pitts brother” and then said he had one made for himself as well that said “I am Brad Pitts other brother” which brought a round of applause and cheers from all that gathered for the ceremony.

Chesney gave much of the credit to writing the song to James and again reiterated that as a songwriter he has had four number one hits, and two of them were co-written with Brett James.

For additional photographs of the #1 celebration at ASCAP for “Out Last Night” visit http://www.digitalrodeo.com/drphotos/photos/album/ASCAP1OutLastNightBrettJamesandKennyChesney

BMI News: NSAI Honors Swift, Keith, Fleming, Varble and More at Annual Awards

NSAI Honors Swift, Keith, Fleming, Varble and More at Annual Awards

Posted in News on October 21, 2009
Taylor Swift accepts the NSAI Songwriter/Artist of the Year Award at the 2009 Nashville Songwriters Association International Hall of Fame Awards on October 18.
Taylor Swift accepts the NSAI Songwriter/Artist of the Year Award at the 2009 Nashville Songwriters Association International Hall of Fame Awards on October 18. Photo: Bev Moser
BMI country chart-toppers received accolade after accolade during the 2009 NSAI Awards dinner, held Sunday, October 18 in Nashville. Record-breaker Taylor Swift was named Artist/Songwriter of the Year; beloved Music Row songwriter Wynn Varble earned the Songwriter of the Year crown, while “Waitin’ on a Woman,” which Varble co-wrote, was voted Song of the Year; and genre giant Toby Keith was recognized as the Songwriter/Artist of the Decade.
In addition to honoring the year and decade’s best, the ceremony also featured the Nashville Songwriters Hall of Fame induction of game-changing songwriter Kye Fleming and the incomparable Tammy Wynette. Late publisher Bill Hall received the Nashville Songwriters Hall of Fame Foundation Mentor Award, which recognizes industry executives who have been exceptionally supportive and nurturing of songwriters.
To read more about the Hall of Fame inductees, click here.
To learn more about the NSAI, please visit www.nashvillesongwriters.com.

CMT: 2009 Nashville Songwriters Hall of Fame

From CMT's website .. a few more of my photos of the 2009 Nashville Songwriters Hall of Fame

http://www.cmt.com/pictures/2009-nashville-songwriters-hall-of-fame/1624141/4327109/photo.jhtml