MUSIC ROW MAGAZINE: Bobby Karl Works CMA Fest Saturday and Sunday

Bobby Karl • June 9, 2014 •

Keith Urban and Karen Fairchild at LP Field Saturday night. Photo: CMA

SATURDAY

Sara Evans plays LP Field. Photo: CMA

I don’t care what the calendar says. I know when summer arrives, and it ALWAYS occurs during the CMA Music Festival. This year, it was on Saturday (June 7), when the downtown temp hit 90, and a walk around the campus started to feel like a death march.
I arrived later in the afternoon than usual. At Walk of Fame Park, Heath Humes & The High Dollars were romping through “Jambalaya.” The Chevy Roadhouse Stage in Fan Alley went silent at 3 p.m., but over at the Texas On Tour stage, Holly Tucker was in full voice, delivering her solid single “More Than Just a Word” and following it with a splendid version of the Hunter Hayes hit “Somebody’s Heartbreak.” She sounds like a comer.
At Riverfront, Jason Michael Carroll was bringing his set to a spirited finale. Ella Mae Bowen and Caroline Cole were on tap in the Martin Guitar tent. They were between acts at the Bud Light Stage, but that venue had its weakest lineup of the fest on Saturday, in any case. Meanwhile, back at Walk of Fame Park, newcomer Cam was sounding winsome, hale and hearty.
The Music City Psychic was doing steady business on Lower Broadway. Both guys and gals were trying their luck swinging a hammer down and trying to ring the bell on that vintage strength-test thingy. One new attraction is the Swamp People Gator Tag, which features a mechanical gator ride. Those wacky, protesting, Jesus people are back with their condemning signs and their bullhorn.
The History Channel is promoting its Cross Country Cookout show by giving away yummy sausages on a stick. They weren’t free, but homemade lollipops were for sale to benefit “Suckers for Survivors.” This group supports a female cancer survivors convention.
Up in the Music City Center, afternoon autographing artists included Wynonna, Taylor Lynch, Frankie Ballard, Chip Esten of the Nashville TV drama, Kix Brooks, Rachele Lynae, Brett Eldredge, Austin Webb and living legend Brenda Lee. There has to be some kind of “Best Costume” award for that guy with long orange hair who bills himself as 8 Ball Aitken. His fully-floral, multi-colored suit topped with a cowboy hat was a brave fashion statement. Everyone loved posing for photos with the Chicken of the Sea mermaid in her sparkly, shiny tail.
Missing in action was Lynn Anderson. She had planned to autograph on Saturday, but called in sick. This breaks her attendance record as the only country star who has been in her booth for the fans at every single Fan Fair/CMA Music Festival since it began in 1972.
At the AT&T U-Verse Showcase Stage, the female trio The Shuggah Pies was harmonizing sweetly. Blue Mother Tupelo wailed on the Durango Stage.

Darius Rucker at LP Field. Photo: CMA

That morning at Greer Stadium, the annual Celebrity Softball Game was staged for charity (City of Hope). It was batter-up for Scotty McCreery, Jana Kramer, Chuck Wicks, Lauren Alaina, Florida Georgia Line, Jamie Lynn Spears, Chase Rice, Sarah Darling, Dee Jay Silver and Danielle Bradbery, among others. Team Opry, “coached” by Pete Fisher prevailed over Team iHeart Radio, led by Bobby Bones, 13-11. Approximately $200,000 was raised.
The morning sunshine was long forgotten by dusk. A thunderstorm arrived at 6:45 p.m. Confident that it would blow over, we headed for LP Field anyhow. The thunder left, but the rain didn’t. Fans huddled in the bowels of the stadium until dribbling into their seats around 7:55. It continued to rain steadily.
Nashville Mayor Karl Dean asked for applause for both the artists and their soaking, dedicated fans. The relentless rain continued. Home Free, the country a cappella group who won on last year’s The Sing Off, sang the national anthem with a super-imaginative arrangement.
Sara Evans finally kicked the music off at 9:25 p.m. with “Born to Fly.” Little Big Town hit the stage with their white-hot soul vocals burning brightly. It was still raining. Fans sang along with Darius Rucker’s “Come Back Song.” Florida Georgia Line did their thing, by which time the rain had ceased. Closing the show late, late at night was Keith Urban, I assume. (We were home, in our pajamas and headed for bed by then). Chris Young had surgery on that hand he sliced Thursday night and had to cancel.
Industry fabulons spotted Saturday included Victoria Shaw, Larry McCormick, Cindy Watts, Dennis Banka, Michael Knox, Mark Zaleski and handsome young record maker Justin Adams.

Lady Antebellum. Photo: Moments By Moser

SUNDAY
The last day of the festival always brings me a twinge of sadness. It’s like the circus has come to town and is now folding up its tents. But there were two big pluses about the events on Sunday (June 8). First, the day had the best weather of the fest. Second, I heard some of the best music on that day.
It started at Riverfront, where Lonestar turned in an outstanding set, climaxing with “Amazed” at 2 p.m. Grits & Glamor (Lorrie Morgan & Pam Tillis) were up next. They were introduced as, “two of the finest singers in the world” and then proved it. They alternated between Pam hits (“Shake the Sugar Tree,” “Maybe it Was Memphis,” etc.) and Lorrie hits (“Go Away,” “Something in Red,” etc.) and added duets to the mix, such as the stirring “I Am a Woman.” They also did a killer, rocking duet version of Joni Mitchell’s “Clouds.” It was a stunning presentation by a pair of true pros.
“This is the best weather we’ve ever had,” marveled Pam backstage. “It’s borderline cool.” The temperature never even hit 80 that afternoon.
Also backstage were Manuel and his posse. “I need your help with my book,” he said. “I left my English grammar in Tijuana.”
It seems there was good music wherever I turned that day. Jamie Lynn Spears was on the Bud Light Stage. With “Shotgun Wedding” and other tunes, she proved that she is more than Britney’s kid sister and that she means business as a Country singer.
At the Hard Rock, Gunnar & The Grizzly Boys rocked smartly. Julie Roberts belted her tunes at the Samsung Galaxy Stage. The Buckle Stage had smooth-singing Josh London, promising songwriter David Ray and “heart” vocalist Daisy Mallory, among others. The HGTV venue The Lodge in Fan Alley featured such topnotch acts as Love & Theft, Jon Pardi, Striking Matches and Gloriana. Other outstanding talents booked for Sunday included David Nail, Natalie Stovall & The Drive, James House, Sweethearts of the Rodeo, Mandy Barnett, Laura Bell Bundy, Sundy Best and those a cappella wonders, Home Free.

Brad Paisley backstage. Photo: Moments By Moser

The revelation of the day was The Brothers Osborne at the stage on the plaza of the Country Music Hall of Fame & Museum. For these guys, stardom is just around the corner.
Among the outdoor amusements, I noted the unusual combo of the furry blue Cookie Monster posing with fans alongside the Papa John’s Pizza Slice (someone in an orange triangle covered with felt pepperoni and other faux toppings). Fans displayed their good taste by forming a long lunchtime line outside Jack’s Bar-B-Que.
Merry fans were posing with the Geiko gecko while an airplane circled overhead towing a “Get Down Texas” banner. The number of scenic river boaters had increased to more than 15.
As the afternoon wound down, we headed for Fan Fair X. Nu Blu was wafting bluegrass beautifully from the AT&T U-Verse Showcase Stage in the convention hall. We need more harmonizing bluegrass bands at this fest!
It was “boujour tristesse” as the Durango Stage went dark. By 3:30 p.m., the finale autographers in the hall included Mark Wills, American Young, Dan + Shay, Mitch Goudy, Tim Sweeney, Brandi Nicole, Sherry Lynn and Spears, as well as the tireless Kix Brooks and Ashton Shepherd.
The balmy weather continued at LP Field that evening. Hunter Hayes, The Zac Brown Band and Brad Paisley brought the 2014 CMA Music Festival to a close, with opening sets by The Charlie Daniels Band, Thomas Rhett and Lady Antebellum.
Back at home, I reflected on the industry friends I’d encountered that day, including Justin Levenson, Tony Conway, Jeff Walker, Jon Walker, David Ross, Rick Murray and Stuart Dill. I recalled how sweet and gracious Nashville TV stars Sam Palladio (“Gunnar”) and Chaley Rose (“Zoe”) were when they were stopped by enthusiastic fans the moment they arrived at the gate leading to the corporate suites.
ASCAP’s Michael Martin and LeAnn Phelan were in the CMA Hospitality Suite. It tickled me to introduce LeAnn to Jo Walker-Meador, the Country Music Hall of Fame member who was the founding director of the CMA. I prompted Jo to recall the first Fan Fair, staged in 1972 at Municipal Auditorium and attended by 5,000. “We had to bring down soldiers from Fort Campbell to fill up the seats,” she reminisced. “We were afraid the artists wouldn’t sing if we didn’t have somebody for them to sing to!” LeAnn asked her about the throng outside the suite’s windows at LP Field. “It’s always amazing,” Jo replied.
It certainly is. CMA Music Festival (the 2004 re-branding of Fan Fair) now has more than 60-national corporate sponsors, more than 500-performers and attendees from all 50-states and 24-foreign nations. Its 100,000+ attendees have a $30+ million direct impact on the Nashville economy.
The fab grand finale fireworks display was at midnight.

Hunter Hayes at LP Field Sunday. Photo: Moments By Moser

MUSIC ROW MAGAZINE: Bobby Karl Works CMA Fest Friday

Bobby Karl • June 9, 2014 •

The Band Perry backstage at LP Field. Photo: Moments by Moser

Chapter 459
I am always impressed with how easy-going, fun-loving, non-complaining, mellow, polite and indefatigable the CMA Music Festival goers are.
No matter how much walking is involved. No matter the heat or the humidity. No matter the costs. These people have a wonderful time. They never seem to be cranky.
I used to think this was because of the bond between hit country singers and their audience. Over the years, I have come to realize that what the fans really like is being with each other.
Some attendees reserve the same hotel rooms every year. Some have annual reunions with people they only know as friends they made at previous fests. Some have fallen in love at the fest or been married at the fest. Some are groups of gals looking for guys. Some are groups of guys looking for gals.
Yes, the CMA Music Festival is about the unique relationship between country stars and their fans. But in a larger sense, it is all about a community of love.
I am also always impressed with how cross-generational the festival is. In country music, we don’t care if you’re 9 years old or 90. If you love us and our music, we love you.
Nonetheless, I was concerned that the Jean Shepard signing session for her new autobiography would be a bust on Friday (6/6). Au contraire. The 80-year-old Opry matriarch arrived at the Country Music Hall of Fame at 1 p.m. and sold 75 books within her first 15 minutes there. Upstairs in the Rotunda, there was a line of 50 multi-generational folks at a time waiting for her to sign copies. I bet they completely sold out of the book, Down Through the Years.
The fans love whoever is willing to chat with them. Doing that in mid-afternoon at Fan Fair X in the Music City Center were autographers The Swon Brothers, Brantley Gilbert, Josh Thompson, Jill & Julia, Lulu Roman of TV’s Hee Haw, Brandon Chase, cast members of TV’s Nashville Wives, Rachel Potter, David Ball and Ashton Shepherd. “I can’t stop smiling,” said Ashton in between posing with fans. “Plastic surgery can fix that,” I replied.
One of the liveliest autographing gigs was staged by Animal Planet’s Call of the Wildman show. Stars Ernie “Turtleman” Brown Jr. and Neal James delighted fans with both banjo picking and signing.

David Ross interviews Big and Rich. Photo: Moments By Moser

Speaking of TV, downstairs from the exhibit hall there’s a room in the Music City Center (#201) where they screened Billy Ray Cyrus’s Like a Country Song movie, the upcoming LeAnn Rimes reality TV show, the Big Smo series, Mark Collie’s The Mountain film and the like.
The Durango Stage at Fan Fair X is one of my favorites. When I dropped by on Friday, Kelly Lang was followed by her hubby, T.G. Sheppard. He waded into the capacity crowd singing “Do You Want to Go to Heaven,” then invited Kelly back to the stage to sing “Golden Ring” and other duets from their new CD.
Over at the AT&T U-Verse Showcase stage, I caught a swell set by Muddy Magnolias, a black-white female duo with a sweet, bluesy, acoustic sound.
Outside, at the Samsung Galaxy stage in Walk of Fame Park, Stephanie Quayle introduced her new single, the throbbing “No Parachute.” She was delighted by two eccentrics in attendance. There were twin diminutive men sporting long hair and moustaches doing synchronized dance moves in front of the stage wearing orange day-glo t-shirts reading “Bang This.” The photo-snapping fans loved it: Jeff Walker looked kind of aghast.

Craig Morgan with fans. Photo: Moments By Moser

Over at the Bud Light Stage in front of the Bridgestone, Big Smo came out rockin’, rappin’ and bellowing. “Are y’all ready to show ‘em how we kick it in Tennessee?” he greeted the crowd. Boy, was he loud.

At the Fan Alley Chevrolet Roadhouse Stage, vivacious Rachel Holder concluded her set with a song, “for anybody with big dreams,” her anthemic “Unstoppable.”
Mighty voiced Collin Raye was holding forth at the Riverfront Stage. He paused amid his hits for a wailing treatment of Elton John’s “Rocket Man.”
Half a dozen boaters floated behind the stage on the Cumberland River. A large group gathered for an even better view from a patio on the roof of one of the 2nd Avenue Victorian warehouses.
Collin warbled the lovely ballad “Love, Me,” and the fans sang along sweetly. But he couldn’t resist leaving them with a rouser, Bob Seger’s “Rock ‘n’ Roll Never Forgets.” Collin was arguably the day’s best Riverfront set since roaring Craig Morgan opened the stage that morning.
Back at Walk of Fame Park, David Bradley serenaded couples lounging and/or napping on the many hammocks. The ever-popular Blue Bell ice cream giveaway was underway.
Next door on 5th Avenue, the Budweiser Clydesdales were a popular attraction, whether in harness or in their paddock. The balloon-animal man was busy on Lower Broad. That silver-painted, human-statue cowboy guy was there on his pedestal. Every now and then he’d suddenly move and get a shriek out of a passing female.
I found a couple of new music venues just off the beaten track. On 3rd Avenue South, there’s a Texas On Tour stage with music. On the plaza in front of the new Nissan So-Bro Entrance to Bridgestone, the Jack Daniels Tavern 96 hosts folks singing for tips. Being surrounded by high concrete walls, their sound reverberates and carries. A male duo was singing  “Springsteen.” Meanwhile the real Eric Church was heading to his fan club party across town at Marathon Village.

Miranda Lambert backstage. Photo: Moments By Moser

Two men were “down on the field” on Friday. Chris Young cut his hand preparing dinner Thursday night, and had to cancel his autographing. Gary Allan was felled by a respiratory infection.
The WMG roster seemed to be everywhere. Cowboy Troy (Riverfront), Charlie Worsham (Avenue, Fan Alley), Dan + Shay (Omni Hotel, Riverfront), Jana Kramer (Fan Alley), Brett Eldredge (Avenue, Omni Hotel), The Railers (Samsung), Ashley Monroe (Omni Hotel) and Michael Ray (BMI Tailgate Party) were busy folks.
Working the festival campus were Rod Essig, Byron Gallimore, Bryan Frasher, Ralph Murphy, Kerry Hansen, Jensen Sussman, Steve O’Brien and Nicole Zeller.
Across the river at LP Field that evening, Travis Tritt took the stage at 7:45 p.m. to sing a theme for the fest, “Put Some Drive in Your Country.” Considering the gentle evening breeze, his “A Great Day to Be Alive” was also apt.
“It’s refreshing to me to see so many great fans of country music all in the same place at the same time,” Tritt commented backstage. “As artists, we feed off of that.”
This evening had arguably the best talent line-up of the fest, since the show also featured Miranda Lambert and Blake Shelton. Not to mention Eric Church, who blazed through a set and brought on rocker Lzzy Hale of Halestorm. But his show seemed way too short.
The Band Perry blasted off with “Done.” and drew yells with “Better Dig Two” when all three of them pounded drums. Jason Aldean brought back Tritt. Miranda brought out Carrie Underwood, to everyone’s delight. Blake’s set included “Austin” and “Boys Round Here,” and he left the mob wanting more.
Grooving on the tunes were such fabulons as Hank Adam Locklin, Suzanne Gordon, Ed Benson, David Ross, Bob Doerschuk, Brett Wolcott & Lydia Lenker, Larry Vallon and Randy Himes. Serene Sarah Trahern was presiding over her first festival as the CMA’s chief. She said she’s impressed with how smoothly things run and how few problems there are. The CMA staff lodges at the Hilton Hotel downtown during the fest, by the way.

Blake Shelton plays LP. Photo: CMA

Jason Aldean. Photo: CMA

MUSIC ROW MAGAZINE: Bobby Karl Works Opening Day at CMA Music Fest

BOBBY KARL WORKS THE ROOM
Chapter 458

Ashton Shepherd during an autograph signing at Fan Fair X. Photo: Moments by Moser

What’s a little water?
Mighty overnight thunderstorms, morning showers and threatening rain all afternoon couldn’t dampen the enthusiasm of the tens of thousands of folks on the streets of Nashville on Thursday (June 5). These CMA Music Festival fans are hardy souls who definitely don’t melt in the moisture.
I expected the Fan Fair X area in the Music City Center to be more crowded than usual because it is indoors. But it was easy to navigate and was populated, as usual, by the older fest attendees, the handicapped and the children.
LeAnn Rimes cut the ribbon to open Fan Fair X on Thursday morning, then sang tunes during an interview session. By midday, celeb autographers in the hall included Jana Kramer, The Doobie Brothers, Lizzie Sider, Doug Stone, Sage Keffer, Wade Hayes, Justin Moore, Mitch Goudy, Rodney Atkins, Tyler Farr, Angel Mary & The Tennessee Werewolves, Cassadee Pope, Dan + Shay, The Whites, Lucas Hoge, Ty Herndon and Mark Wills.
The Bounce House Castle and Bounce House Slide inflatables were both getting a workout from a steady stream of kiddies. Young-adult Fan Fair attendees were bouncing in a different way on a mechanical bull.
At the Mountain Dew booth, merry fans were having souvenir photos made of themselves in full camouflage hunting regalia. The JoAnn Art & Craft Store booth hosted ladies making jewelry from the free supplies displayed. Many attendees lined up for the cornhole toss and the other “lawn” games.
You can tour Barbara Mandrell’s Tour Bus and/or the Kix Brooks Tour Bus. Brantley Gilbert’s booth features the 1936 “Bonnie & Clyde” Ford that’s in his video for “Bottoms Up.”
There are Taylor Swift costumes on display in her booth. She is overseas right now. Reba McEntire’s Dillard’s clothing line was again for sale. In fact, it seemed to me that there was more clothing and jewelry for sale in the mall district than ever. There is no music for sale at Fan Fair X.

Fan Fair X. Photo: CMA

Serenading the exhibit hall was T. Graham Brown, belting out “I Tell It Like It Used To Be” on the Durango Stage. At the AT&T U-Verse Showcase Stage were Ruth Collins, then Levi Hummon. Handsome young Levi brought on papa Marcus Hummon to sing with him on Marcus’s classic “Bless the Broken Road.” Over at the CMA Close-Up stage were Billy Ray Cyrus and the cast of his new movie Like a Country Song.
The CMA Celebrity Silent Auction was occurring simultaneously. It offered Kix’s wine, original song lyrics, VIP show passes and autographed guitars, shirts and other items for bids. Here’s something new: Cupcake Wines has a booth and is selling samples. Now we’re talking. Jack Daniels is available as well.
You might need a drink to get over the parking charge. The venal fiends who run the garage at the Music City Center charged $20 last year, payable only in cash. This year, they figured out that they can charge even more — $25 — by allowing you pay by credit card.
Across the street at the Country Music Hall of Fame, the gift shops were doing a brisk business. Angelic Rose Lee Maphis, 91, was greeting the tourists as they entered the museum’s lobby. None of them realized that they were saying hello to a lady who was a great country performer of the 1940s, 1950s and 1960s in the “Mr. & Mrs. Country Music” dynamic duo of Joe & Rose Lee Maphis (1953’s “Dim Lights, Thick Smoke and Loud, Loud Music,” 1962’s “Whiskey Is the Devil in Liquid Form” etc.).
Larry Fitzgerald and Terry Elam were among the arrivals. They were en route to Vince Gill’s fan-club event at the Hall of Fame. Nearby in The Listening Room on 2^nd Avenue South, Joe Nichols was drawing his fan-club party to a close. The Band Perry staged theirs in the Music City Center.
Outdoors in Walk of Fame Park, Rachelle Lynae was rocking the Samsung Galaxy Stage, followed by Zane Williams pumping out a splendidly harmonic country-rock set. Further on, Jacob Powell was shouting on the Chevrolet Roadhouse Stage in Fan Alley.

Alabama backstage at LP Field. Photo: Moments By Moser

There is no shortage of libations on the streets of downtown. Kenny Chesney’s Blue Chair Bay Rum, Tito’s Vodka, Bud Light and Fireball Cinnamon Whiskey are just a few of the booth stops you can make as you wander. Music pours from every open door of every honky-tonk on Lower Broad.
An Eats & Beats district on 5^th Avenue South features a lineup of assorted food trucks serving up scrumptious delights. In one tent on Lower Broad, A&E is promoting its TV series starring Big Smo by offering free, cold “Smo-Cones.” Other free eats scattered around include iced coffee, pizza, Cracker Jacks, chocolate-chip cookies and flavored iced teas.
A would-be Carrie was carrie-oking to the track of “Before He Cheats” on the karaoke stage. Both guys and gals were trying their strength doing chin-ups at the Marines booth. Guitarists take turns strumming in the Martin Guitar tent. I spotted burly Metro cops posing for snapshots with giggling female fans. Street musician “Mandolin Mike” was playing for tips. A small crowd clustered at the door of the Johnny Cash Museum. Cuties wearing short-shorts and sparkly, silver-tinsel wigs pass out cards advertising Miranda Lambert’s new Platinum CD and her Pink Pistol shop on 3^rd Avenue North.
Rio Romance was singing at The Hard Rock. ASCAP spitfire Hannah Dasher was wailing a humorous, feminist “I Ain’t No Waffle House” to the crowd’s delight beneath the tent at the Buckle Stage.
Meanwhile, Blackhawk was harmonizing gloriously on “That’s Just About Right” at the Bud Light Stage on the Bridgestone plaza. At a venue that also scheduled such excellent talents as Emerson Drive, Trick Pony, Chris Stapleton and Drake White, this was one of the strongest sets of the day.

Brantley Gilbert backstage at LP Field. Photo: Moments by Moser

After making their grand entrance down Broadway on the vintage Budweiser beer wagon pulled by eight massive Clydesdales, Big & Rich opened the Chevrolet Riverfront Stage on Thursday morning. “It’s CMA Fest 2014, y’all,” hollered Big Kenny through a bullhorn, adding, “This is gonna be the biggest time you’re ever had in your entire lives!” He and partner John Rich then unlocked the venue’s gate.
By mid-afternoon, a solid lineup of Charlie Worsham, Cole Swindell and Dustin Lynch had this venue rocking. The rousing Wynonna & The Big Noise was the climax of the Riverfront stage later that afternoon. By then, the threatening skies were so dark that some streetlights were turning on. It started to shower again around 5 p.m., leading Wy fans to re-deploy their morning ponchos and umbrellas.
Working the festival campus at various times and in various places were Dale Bobo, Doak Turner, John Huie, Mike Dungan, Steve West, Lindsay Ell, Chris Cannon, Patrick McMurtry, Jimmy Carter, Gerry House, Bill Cody, Scotty McCreery, Storme Warren and Colette Huff-Koch.
That evening, the faithful fans trudged across the river to LP Field. The skies cleared around 8 p.m., and the night became balmy. Indeed, you could not have asked for more ideal conditions to enjoy the reunited Alabama’s return to the fest after a 20-year absence. Not to mention the hit-after-hit delivery of romping Luke Bryan, who worked the 60,000-strong crowd into a lather of excitement.
“We just got out there and had fun,” said Bryan backstage, “and I think the fans enjoyed it.” They sure did.

Brantley Gilbert, Dierks Bentley and Rascal Flatts were booked as the build-up to the night-closing show by superstar Tim McGraw. Gov. Bill Haslam was on hand to welcome the throng.

“It’s like playing a show at home,” commented Gilbert backstage. “It’s a blessin’ to be here.” Added Bentley, “It’s a different type of show, but it’s one of the best ones, for sure.”

Dierks Bentley backstage at LP Field. Photo: Moments by Moser

Schmoozing and basking in the glow of another successful festival launch in the CMA Hospitality Suite were Earle Simmons, Kitty Moon Emery, Lisa Harless, Bill Denny, Dennis Banka, Charles Dorris, Melissa Maynard, Craig Bann, Aaron Hartley and Brett Wolcott.
AristoMedia’s Jeff Walker reported that this year’s International Showcase, staged on Monday (June 2), drew 2,000 fans, a new high water mark for this 10-year-old CMA Fest event. That “CMA World GlobaLive” gig featured 12 artists hailing from New Zealand, Sweden, Great Britain, Australia and Canada.
The perfect country music evening was capped by a fireworks display at 12:15 a.m. Onward into the weekend we go.

MUSIC ROW MAGAZINE: MusicRowRecess: Fan Fair Flashback

Sarah Skates • June 4, 2014 •

Remember when it was called Fan Fair and it took place at the fairgrounds? Relive Nashville in the ’90s, courtesy of these photos submitted by Bev Moser and JoAnn DiUbaldo.

MUSIC ROW MAGAZINE: Bobby Karl Works The CMHoF Expansion Celebration

BOBBY KARL WORKS THE ROOM
Chapter 453
Mayor Karl Dean has another feather in his “convention center” cap.
“The Country Music Hall of Fame & Museum is a key element in our convention-center campus,” said his honor at the grand opening of its 210,000 square foot expansion of the museum. “I guarantee you, we have the most compelling convention experience of any city in the country,” he added, citing the Hall of Fame, the attached Omni Hotel, the Music City Center, Bridgestone Arena, Lower Broadway, the Frist Fine Arts Center and the Schermerhorn Symphony Center as components of this district.

CMHoF’s Kyle Young. Photo: Bev Moser/Moments By Moser

A liquor store and a convenience shop on Korean Veterans Boulevard would help. I know what conventioneers need.
“This is a day of celebration and thanksgiving,” said CMHoF exec Kyle Young. “Today, we begin a promising new era. We’re gratified to be in the ‘It’ city.”
“This is yet another milestone in our growing SoBro,” added the Mayor. “For the past year, you’ve heard me say that The New York Times called us the ‘It’ city. Last month, Time magazine called us the ‘red-hot city of the South.’ This is a moment to celebrate Country music as a genre that made us Music City.”

Vince Gill. Photo: Bev Moser/Moments By Moser

“Thank you for your generosity and for your belief in our city,” said CMHoF board chairman Steve Turner. He, Young and Dean were all speaking in the facility’s new Event Hall, which Turner praised as having “the best skyline views in our city.”
The opening was celebrated with both afternoon and evening events at the museum on Tuesday (April 15). The official gig in the afternoon was characterized by music, music, music. Which is how we always do things best in Tune Town.
Following the presentation of the Colors by members of the Tennessee National Guard, “The Star Spangled Banner” was sung by The Valentines. The fabulous McCrary Sisters did “Amazing Grace” a cappella. Then Ricky Skaggs performed the museum capital campaign’s “fight song,” The Carter Family’s “Working on a Building.”
“There’s a lot of great cities in the world, and I’ve been to a bunch of them,” said Skaggs. “But there’s only one that can call itself Music City.”
Country Music Hall of Fame member Vince Gill performed “Blue Eyes Crying in the Rain.” Its author, Fred Rose, was one of the first three people inducted into the Hall.

Lee Ann Womack. Photo: Bev Moser, Moments By Moser

Lee Ann Womack sang “You Don’t Know Me,” which was written by Hall of Fame member Cindy Walker and introduced by Hall of Fame member Eddy Arnold.

Buddy Miller and The McCrary Sisters romped through “Love’s Gonna Live Here,” by Hall of Famer Buck Owens. Buddy was the bandleader and musical director of the event. And what a band: Tammy Rogers (fiddle, mandolin), Viktor Krauss (bass), Tim Lauer (piano, accordion), Russ Pahl (steel) and Jerry Rowe (drums).
“This speaks to who we are as a state,” said Gov. Bill Haslam. “The thing we’re most famous for is making music. Music represents us all over the world.”
Confetti canons blasted colorful paper bits onto the heads of attendees at the finale. Everybody got pieces of cake and commemorative posters from Hatch Show Print.
Well, almost everybody. The afternoon event was originally scheduled to take place out of doors. Weather forced things to take place inside. The Tennessean failed to mention that this meant that the event was no longer open to everyone. Once the Event Hall was filled past capacity, folks from the pubic were turned away. Also: The Hall ran out of posters as well as printed programs.

Ricky Skaggs. Photo: Bev Moser/Moments By Moser

Lucky fabulons who did get to move and groove included Bobby Braddock, Bobby Bare, Jo Walker Meador, Jody Williams, Jody Maphis, Rose Lee Maphis, Don Light, Donna Nicely, Lon Helton, Harold Bradley, Rod Essig, Jimmy Fortune, Chris Horsnell, Bud Wendell, Irene Kelly, Brian Mansfield, Earle Simmons, Ed Salamon, Diane Pearson, Al Bunetta, Mark Ford, Tom Roland, Lori Badgett, Kathi Whitley, Andrew Kintz, Mary Ann McCready, Allison Auerbach, Jennifer Bohler and John Ingrassia.
Needless to say, the galleries were packed after the ceremony. So we returned to a Members-Only Preview event that evening at 5-7 p.m. Apart from Steve West, Jimmy Carter, Dan Ekback and a few others, we had the expansion galleries to ourselves.
There is 10,000 square feet of new gallery space. We’ve already seen the new Event Hall, its lobby, its balcony, the 800-seat CMA Theater, the Jerry & Ernie Williams Lobby off Fifth Avenue and the new Hatch Show Print headquarters. What we didn’t see is the expanded storage space for artifacts and the library.
What we did see is the Taylor Swift Education Center, with its three classrooms and a learning lab. That’s on the third floor. So is the spectacular Glen Campbell exhibit. Beyond Glen’s many costumes, guitars and artifacts you can peer into the museum’s exhibit-prep area.
On the second floor are the adjoining Dinah & Fred Gretsch Family Gallery and the ACM Gallery. These showcase contemporary Country stars, featuring costumes, hats, plaques, video props and paper collectibles from Brad Paisley, Toby Keith, Eric Church, Thompson Square, Tate Stevens, Alan Jackson, Tim McGraw, Miranda Lambert, The Zac Brown Band, Gregg Allman, Blake Shelton, Luke Bryan, Florida Georgia Line, Craig Morgan and Jason Aldean, as well as such legends as Charlie Daniels, Buck Owens and Merle Haggard.

Pictured (L-R): Bud Wendell, Steve Turner, Vince Gill, Bill Haslam, and Karl Dean. Photo: Bev Moser/Moments By Moser

A few things that caught my eye were Kellie Pickler’s costume from her championship on Dancing With the Stars, Trisha Yearwood’s blender and kitchen utensils from her cooking TV show, Don Schlitz’s typewriter (on which he wrote “The Gambler”), memorabilia from the farewell tours of George Strait and Ralph Stanley, farewell/funeral artifacts from George Jones, stuff representing Darius Rucker’s Opry induction and bluegrass instruments plus an IBMA Award from the gifted Gibson Brothers.

There are song lyrics, award statuettes and LOTS of interactive video screens. There’s a wall-size display of bobble-head dolls representing jobs in the music industry. I didn’t get the turntable where I think you were supposed to put post-it notes containing song ideas. I did get the big “anatomy” guitar with a kiddie play-slide inside. Do not be deceived by the room in the shape of Taylor’s tour bus. It does not house tour-bus bunks or kitchenettes. Just more touch screens.
Afterward, we headed to Josephine’s on 12th Avenue South. Don’t miss the heirloom-beet salad or the scallops main course. Sitting at the next table was Connie Britton. I resisted the urge to tell her that we’re addicted to her Nashville TV series.

MUSIC ROW MAGAZINE: Writers Roundup (4/3/14)

Jessica Nicholson • April 3, 2014 •

There’s a new songwriters round in Nashville, this one combining the richness of songs and coffee.
“Songwriters Singing For Coffee—Where Lyrics and Lattes Collide” launched its first show at Starbucks in Green Hills on April 2. Songwriters Billy Yates, Greg Friia, Scott Reeves and Pete Sallis performed several of their well-known songs.
For a list of upcoming shows, visit songwriterssingingforcoffee.com.
Photos by Bev Moser.

MUSIC ROW MAGAZINE: Artist Pics (4/2/14)

Jessica Nicholson • April 2, 2014 • 

Dierks Bentley performed at Nashville’s Station Inn Tuesday night (April 1) with a host of industry friends.

Dierks Bentley performs at Nashville’s Station Inn. Photo: Bev Moser/Moments By Moser

Photo: Bev Moser/Moments By Moser

Photo: Bev Moser/Moments By Moser