Joe Bonsall : “From My Perspective"

Joe Bonsall is probably most recognized as “one of the” group members of country music‘s, The Oak Ridge Boys; but he is also a notable author, with seven published books and an eighth due out in September, which has been titled “From My Perspective by Joseph S. Bonsall”. A 250-page book that is packed with Joe’s entertaining reflections on life, service, worship, patriotism, nature, family, and God. As always, Joe’s commentaries are sometimes witty, sometimes sentimental, and always inspirational.

Joe lives in Hendersonville, Tennessee, with his wife Mary Ann; they also share a ranch on the TN / KY border, and both give Bonsall much to reflect on. I was invited by Joe to spend an afternoon with him as he gave me some insight to his new project and some “stories behind the story” moments.



Bev: Joe, I am so excited to spend time with you and talk about the new project, what made you decide to write this one?

Joe: My upcoming book is called “From My Perspective by Joseph S. Bonsall”. I am Joseph S. Bonsall; when I write, I am Joe Bonsall; when I sing, I am Ban-Joey when I play the banjo. I am top cop, pop-pop, I am daddy, and I am Joey. And we are all doing just fine. In fact I think I write about that in a chapter in the book called Being Joseph. The new book is a unique little personal perspective from me! Is it auto biographical? Not exactly. Is it a book on the Oak Ridge Boys? No. Is it an inspirational book? No. Is it a book about nature? No. Is it a book about banjos or birds? No. Is it a book about music? No. Actually what I am getting to here, is that it is all of the above. There is a little bit of everything in this book. Somebody awhile ago asked me if I had written an autobiography; and I figure between this book and the book I wrote before that, GI Joe and Lillie; I think you will learn all you need to learn about Joe Bonsall without it being a full fledged autobiography. I also write a lot about America, and a little about politics, but I do not delve into that too much. I write about veterans and the flag. I am very patriotic. I guess you would call me pretty much a conservative Christian on most matters. I am Christian on all matters. Therefore there is a lot of inspiration in the book. There is a lot of Oak Ridge Boys in the book too. It would be impossible for there not to be, because I joined the Oak Ridge Boys when I was twenty-five years old. I have been with this group now thirty-seven years. That is a long time to be with one group. And the weird thing is the other three guys have been here longer than me! Now I did write a book on the Oak Ridge Boys called An American Journey. It is available at Amazon.com. If you look online with a search engine you will also find other books I have written; Molly the Cat, and GI Joe and Lillie. And you can preorder “From My Perspective by Joseph S. Bonsall”. Anyway, I think you will enjoy the book. There is a lot of good information in it. It goes in a lot of different directions. It is not a book you have to read chronologically. I think it is the kind of book you can pick up any day, turn to a chapter and read and get something out of it. And I think that every chapter has its own little poignancy, its own little back story to it. There is humor in the book. There is a lot of very funny stuff in it.

Bev: How long did it take you to put all your notes together to decide what was going to be in the book?

Joe: My agent, good friend and associate, Kathy Harris, is the marketing director for The Oakridge Boys and had read some of the pieces that I had written over the years. And she said, “Wouldn’t it be great if you could put together a book of these little articles and commentaries you have written over the years?” Taking her lead, and then she found Journey Books who were willing to do this book, I went kind of crazy! I started writing all kinds of new stuff! I wrote new things to go with the old things. I think writing new things took me about eight months between the writing and the tweaking since the idea first manifested itself. I love to write on the road. There is a lot of down time on the road. People do not realize that. The Oak Ridge Boys work one hundred fifty-one hundred sixty days a year on the road. There is a lot of crazy traveling. Some of it is flying, but for the most part we ride on this tour bus where I am sitting right now; as most of the country’s rock and roll artists, gospel or bluegrass do. You have downtime on a bus; you have downtime on a plane. That leaves plenty of time to get out the laptop and write!

I write about my beautiful farm. It is located on the Tennessee-Kentucky line. It is about four hundred acres. I go out there a lot to spend time with the grandkids or sometimes it is just my wife and I. Oh, I write about my grandkids too, by the way. I am moved by nature out there, from the standpoint of a relationship with God. I think the last chapter of the book deals with the fact that last year we had one of the coldest winters in history here in Tennessee. Which is kind of ironic, we are here in July. And now this past May we had one of the wettest in history, with the floods and everything. And in June we had the hottest June on record here in Tennessee. Now July is dry, no rain and it is like a drought. So, we are having some very strange weather here. At the beginning of the year, when the Oaks take some time off, we had big time snow and freezing cold day after day. I went up to my farm and just immersed myself in the cold and in the sounds of the winter. Crunching in the snow, walking by the creek, listening to the sounds of nature. I find a lot of inspiration for my writing at my farm. I think as an author I tend to overdo it at times; the “you must get alone time”, because I really believe it is imperative to do so. In the very fast paced world we live in, how can you feel God, how can you feel nature, if you are not listening? I talk a lot in the book about listening. In order to listen, you must take that quiet time walking past a creek, picking blackberries, drinking fresh nectar out of a honeysuckle vine. Getting away is important, because then you can open your mind and heart and listen, listen to nature, listen to what God has to say to you. I write a lot about that in the book. A chapter in the book called Wintry Days is one of the examples. Another is called A Nothing Day. It is pretty much the same story only in the summertime version of it instead of wintertime.

Bev: The fact that you do write about other people, like the Oakridge Boys, family members, etc. is there anything about the fans that you have written your perspective of?

Joe: In my book “From My Perspective by Joseph S. Bonsall” I do not think I have written much about that aspect of the Oakridge Boys. I did write a lot about that in the book “An American Journey”. I think I felt like I had traveled down that road. Most of the references to the Oak Ridge Boys that are in the new book are maybe more up to date references. More part of my lifestyle, than delving into what makes the Oaks the Oaks.

Bev: Do you find it hard to separate yourself from them?

Joe: I think one of the real secrets of the Oak Ridge Boys is the individuality. We are four different guys from four different parts of the country. And we are all totally different one from the other. You would not even think that this group of guys would even know each other let alone work together in a legendary capacity; a historic capacity! I think the Oaks are a phenomenon and I can say that because I am just (creating quotes with his fingers) “one of the”. “of the” is the key. We still cannot get away from the “of the”. I write about this in the book. We are “of the" Oak Ridge Boys. For example, people are always saying things like, “hey, there goes one “of the“, aren’t you one “of the“, I could swear I just saw one “of the” in the airport”. We are one “of the“. That is our middle name. Joe Bonsall of the Oak Ridge Boys. Duane Allen of the Oak Ridge Boys. William Lee Golden, artist, historian goes out there on his own and does all kinds of cool things by himself. But he is still, no matter how he slices it, one of the Oak Ridge Boys. Richard Sterban, bass singer extraordinaire. You see him at the game and you know he is a big ball fan, but you also know he is “of the”. He is the bass singer of the Oak Ridge Boys. So when you are a part of something like this for so long, you cannot get away from that. So therefore in a writing capacity and in an author capacity, when you start to write, you still cannot help writing about the Oak Ridge Boys and how it relates to what you are talking about or doing. For instance, I have a section in the book where I write about veterans and sacrifices. I am very big in writing about our heroes. It is called sacrifice for freedom! There is always a price to be paid. Our young kids are paying the price now. My parents, I wrote about in G.I. Joe and Lillie, paid the price in the forties. A lot of guys my age paid the price in the sixties and early seventies in Viet Nam. And we cannot forget Korea either, although a lot of people do. My father-in-law paid the price there. Okay? So there is always a price to be paid. And the Oak Ridge Boys are very appreciative of that as a group. Some of the events and some of the happenings, some of the things that have gotten me close to our troops and to our veterans have been as a result of the Oak Ridge Boys. So we are all kind of intermingled somehow in my writing.

Bev: When you put this together as a book, what kind of readers did you visualize reading it and is it aimed towards a specific genre or age group?

Joe: Well, actually I am hoping that everybody of all ages will enjoy this book! It has been called the baby boomer’s delight by Jerry Jenkins. He said it is more than that, but it is a baby boomer’s delight. I have to think a lot of people my age will relate to it. It is like GI Joe and Lillie. I mainly wrote that book for veterans and hoped that they would relate to it. I prayed they would and they have. And it has picked up a much broader audience and I think that “From My Perspective by Joseph S. Bonsall” can do the same thing. In fact, I just got an email not too long ago from a nine year old that read G.I. Joe and Lillie who was so moved and educated by it. He said “I knew nothing about World War II. So thank you for writing this book. I loved it! I loved your parents and I loved your mother.” Nine years old and he got it, you know? So I am really kind of hoping that “From My Perspective by Joseph S. Bonsall” does the same thing.
Bev: I know that as a public figure and musician you are often asked for advice on how to be successful, do you envision this as a book on advice?

I think a lot of kids who are singing today or who want to be singers will learn some things from the book as to how to do this. The creative process is something that is very important to me. I love the fact that because you listen to a voice and because you took the extra time and used the talent that God gave you. I think that God means for all of us to be creative, all in different ways, that this is one of the gifts from the The Creator. I love having something that is in my hand today that was not here yesterday. I do not care if it is a new song, if it is a book, or an article. I think that is one of the great things about writing a book or writing a song or anything. I call it the theory of creativity.

Bev: Will there be audio versions of your book as well as the printed version?

Joe: I hope there will. I have not talked to Journey Press about that. But if there is an audio version I am ready to go into the studio and do it. It will definitely be on Kindle. G.I. Joe and Lillie is on Kindle, which I think is so cool. Apple has Ibooks which is another outlet. I am pretty sure “From My Perspective by Joseph S. Bonsall” will be available on all those. And I hope an audio book as well.

Bev: In the printed version, will there be any photos or illustrations that go along with it?

Joe: Actually, yes. In the final days of tweaking the book and looking at final galleys, as in fixing little mistakes or adding things, the publisher decided that some photos would be apropos. Some would fit the chapters well. So now we have photos. I do not know how many, maybe thirty. So if I am writing that has something to do with my wife, you may find a photo of her and me at the end of the chapter. I wrote a piece about our grandchildren Breanne and Luke for his book, so you will see a picture of my grandkids. The pictures kind of fit the chapters. And again I have to say one of the positive and maybe crazy things about the book is that it is all over the place. It is condensed down into different sections. For instance, this section is more about music and another section is more inspirational. As I said it is all over the place. There is a lot of different ground covered.

Bev: I am excited to get my hands on a copy, as I am sure others are. When can we expect to see it on the book shelves?

Joe: The book is scheduled to be released September first. You can go to Amazon.com and or Barnes and Noble right now and pre-order. Either type in “from my perspective” or Joseph Bonsall in the search engine. If you visit my website www.josephbonsall.com and you can get a few excerpts from the book. Read a little bit about it. See if it is your cup of tea. I think it might be.

Bev: Another thing I know you do a lot of is Twitter.

Joe: Yes. (laughs).

Bev: So I assume you will be promoting it well on your Twitter.

Joe: I try not to blatantly promote it too much on Twitter. But from time to time I think a promotional tweet is in order. Listen to us. A year ago I did not even know Twitter was! And now I am, what, a Twitterer?

Bev: Yes, you are. I follow your Twits.

Joe: You do???

Bev: I cannot even believe I have over three thousand followers now. It is kind of amazing to me.

Joe: I think the fun thing to me about Twitter is being able to come up with something different. Like “It was on this date in seventeen-seventy-six The Declaration of Independence was read on the steps of city hall to a throng of people and the Liberty Bell rang for the first time”. I love to Tweet stuff like that. That is kind of cool.

Bev: Do you refer to your Twittering in your book?

Joe: I do actually write about Twitters a little bit in the book. But I think I do it to get their attention so I can come up with something a little heavier than that. I think it is one chapter that I definitely, definitely do that. I will tell you about a great chapter in the book. I have dedicated this book to a lady named Lo-Dee Hammock. Lo-Dee is ninety-three. She is sharp as a tack. She is a wonderful Christian woman. She is very inspiring to me. She lives in Branson. When the Oaks play Branson, I always spend time with her. I have a chapter in my book called Musings On Heaven. They came from a discussion I had with her about Heaven. Everybody has an opinion. Let’s face it, nobody has ever come back and told us about it. But we have read our different fiction accounts about it and we get out of the Bible what we can. So I asked her what she thought Heaven is. One morning we went through this whole diatribe on what Heaven could possibly be; what it might be like and what it might not be like; what might surprise us; what might not be there that we think is there; what will be there for sure. Or what we perceive there to be there in our own minds. I went right to my room that day, got on the laptop, and I came up with the words “Musings on Heaven.” And I start out by writing about Lo-Dee, this wonderful old friend. Then I continue to write about our different conversations we have on heaven. It is a wonderful chapter. It is actually one of my favorite chapters in the book.

Bev: Do you journal or write in a diary or anything similar to that on a daily basis?

Joe: I am not a diary person. But I am kind of a steel trap. I do not forget much. Sometimes I will write down dreams. As I write in my theory of creativity, some of your best ideas can come in a dream. How many good ideas have you had in the shower? Or out on a tractor? Mowing the lawn? I think that what you need to do then is jump out of that shower soaking wet and write something down you just thought of because believe it or not those fleeting cool ideas go away. Wipe up the floor later, but write it down man. If you had a really cool dream, write it down. I had this weird dream one night and at the end of it someone turned to me and said something to me so out there and so profound, that I wrote the whole thing down, word for word. I still do not know what I will ever do with it, but I would hate now not to have written it down and forgotten all about it.

It may end up being a chapter in a new book or an idea for a whole book, who knows? It is all part of the theory of creativity for me. I do believe that these moments do come. I call it the faucet turning on. And when the faucet turns on you have to follow that faucet! You have to go with it. Because eventually it is probably going to slow down and turn off and the thought may go away. And if you have not written any of it down, it disappears.

Bev: You mentioned earlier that this book has been a collection of the writings over many years, and you have had a lot of amazing adventures and opportunities over time, so is it safe to say you include some of these in your book?

Joe: Yes, definitely. Over the years The Oak Ridge Boys have had very many cool things going on or happening, and with that you get to meet wonderful people. One of those people is General Chuck Yeager, who has become a great friend of the Oak Ridge Boys. He agreed to write the forward to this book. Talk about one of America’s great heroes! He is our greatest pilot of all time. I mean this is the guy that broke the speed barrier for the first time. He went faster than the speed of sound for the first time ever. We take that for granted now, but imagine being in that little X15 for the first time when it dropped off the bottom of a plane and you are flying it. And you take that thing higher than it has ever been before and faster than it has ever been before. It is like, hey cool! Look what I just did. That is General Yeager, one of the greatest guys I have ever met. There has been times when he has come out to an Oak Ridge Boys show and he has introduced us. He walks out onstage and before he says anything, they are standing. They are saying “oh my God, that is Chuck Yeager!” He is a hero. We performed at his eightieth birthday party some years back in Texas. What a trip that was to have a bunch of his old pilot friends there with him that night. We sang songs, but aside from that it was amazing; an interesting thing I remember is that one of his old pilot buddies was talking about World War II off the coast of France where they were flying together and there were three of them flying side by side. General Yeager says “We have bogies at three o’clock.” These guys all tried to see them and could not. They flew another several miles and then they saw what he had seen. He is a unique guy. And again these are the kind of guys that are the fabric of America. They are the guys that make America what it is. They are the heroes and I love writing about veterans. And another thing is what he did as a gift for all who came to his birthday party; he gave them all a copy of G.I. Joe and Lillie, which I thought at the time was astounding. I had to sign them all. I sat there all afternoon signing books but my gosh, what an honor! Anyway, he wrote the forward to this book and I just love that man.

Bev: It is very touching to witness you speaking of your respect and heartfelt honor for our service men and women.

Joe: I could write about just that and be very, very happy. That and writing about veterans events and talking to this veteran about that battle. And because of my previous book, G.I. Joe and Lillie, I have had the opportunity to meet a lot of these guys. I have a great chapter in my book called Gun Stories. I write about two storied World War II weapons. The first being an M-1 Garand. The other is a forty-five caliber US Army issued side arm that was at D-Day and beyond. It is an incredible story about that gun. I have a friend named Eddie Polk in Louisiana. What Eddie does for a living is to take old veterans back to battlefields and does battlefield tours. He takes veterans back to fields where they fought. It is a very moving thing. He is probably responsible for selling two hundred G.I. Joe and Lillie books, because I think he bought one for every veteran he has ever met. The Oaks were doing a big show in New Orleans in a big casino, that was before Katrina. Eddie lives in Slidell, Louisiana. In fact, in Katrina he lost his whole house and everything. Eddie and I went to the D-Day Museum, which ironically was never touched by Katrina. The D-Day Museum, sitting right in the middle of New Orleans, was never flooded. The flood came up to the front of it and never came in. My daddy was at D-Day and it is very moving for me. Eddie and I walked through the Museum and we learned together and cried together. We learned about the Higgins boats that the guys landed on the beaches which were built in New Orleans. That is why the D-Day Museum is there. When we were walking out to the car, Eddie said, “Is there anything I can do for you? I would love to get you something to repay you for all the blessings you have brought to me.” And I said, “Eddie, this is really asking a lot, and I will pay for it gladly, but if you could find an M-1 Garand rifle, the storied rifle of World War II, the kind of rifle like my daddy carried across Europe for fifty days before he got shot up; I would love to have one.” Story short, Eddie said he could get me a gun. He called me a few weeks later and said he had it. “You do not owe me anything, it is from me. What do you want me to do with it?” He said he had to send it to a gun store, because it is the law. So I got in touch with a gun store buddy of mine in Gallatin, Tennessee. I said I would be home on Wednesday, driving up to my farm on Thursday afternoon, how about I stop by there at noon and pick up the gun? Noon comes, and I get there just about on time. There is this old gun store in Gallatin, and there is nowhere to park. The parking lot is packed! I had to park way down the street! I could not believe it. I get to the gun store and I see why. I walked in there and it was full of old men. The guy said “I been waiting for you”. I asked him why he had not opened it and he said he had been waiting until I got there. So I told him to open it. He opened that cardboard box with the cutter and out comes that M-1 Garand. (at this point in our conversation, Joe breaks up a bit with tears in his eyes and pauses). All those old men were holding it, hugging it and crying. It got funny a little bit later on when they started telling me how to use it. And they all agreed that I needed to shoot it. Some of them gave me magazines that they had kept over the years. The gun store owner provided me with a bunch of thirty-ought-six shells. He said I needed to go load this thing and fire it so you will know how your daddy felt when he fired it. Then he put it in the safe. And that is what I have done with it. One of the guys was showing me that if you do the clip just the wrong way, it snaps back and you lose a finger. And another guys said “yup” and held up his hand. He was missing a finger”! The whole place laughed. I hugged all those old guys. It was the most incredible thing. It is in My Gun Stories in the book. And the ironic thing about it, is that last year we were staying at the Garth Mansion in Hannibal, Missouri, the place where Mark Twain went to write. He had his own bedroom in the Garth Mansion. I went to Mark Twain, Samuel Clemens’ room, shut the door and spent all day in there that day and wrote Gun Stories. So this chapter was actually written in Mark Twain’s bedroom in Hannibal, Missouri.

Bev: Now that you have this one done, will you continue writing so we will see a Volume II and Volume III?

Joe: I do not know. It has been talked about. I say, let us get this one out first. I will see if anybody really cares. I want to see if it really moves people. I think it will inspire people.

Bev: Other than the online Amazon site, what else are you planning to do for promotion?

Joe: Well, I hope to go on a book tour. I plan to do a lot of radio interviews. They are always easy to do. I am on the road so much of the time. I can talk to a lot of different people. I have a chapter in the book called Being Joseph. It talks about what one goes through to promote a book. Of course when I am writing I am Joseph. This is a humorous article. It runs through talking to country DJs early in the morning, then talking to a gospel station right through talking to a public radio station where they speak to you like “Well, Joseph, in your Molly the Cat book series, you write about Gypsy. What is the impetus behind the character?” Now in my mind, I am picturing Gypsy licking her behind. But they have to be Joseph and come up with some impetus behind the character. You see? Promoting a book is really weird sometimes. But it is really fun. And it is quite eclectic. I hope I get to do it all for this book. I think it can be accepted as a good Christian inspirational book for the most part. I think it can be accepted as a book on the Oak Ridge Boys. I think it can be accepted as a little book about America and what makes America America, again delving into the veterans and so forth. There are little side trips that it takes here and there and some will make you laugh, some will make you reflect on your own life, but hopefully when it is all said and done I hope people get some good inspiration out of the book.

Bev: Any bonus material included in the form of CD’s or anything to entice the readers?

Joe: I wrote a short story a couple of years ago when the big tornadoes hit here in middle Tennessee; both in Sumner County where I live and up in Macon County where my farm is. There was a tornado that hit Macon County that churned along and cut a one mile stretch through sixteen miles all the way through the county. If you were in that mile stretch, your home was destroyed and everything you owned was destroyed. There were a lot of people killed. I was very inspired by that. In fact, the Oak Ridge Boys sang at a benefit for both tornadoes, here in Sumner County and also one in Macon County to help raise money for the people who were affected by the storms. Well, out of all of it, as a writer, I wrote a short story called Billy’s Tornado. It was a story of a young couple who moved to you do not really know where, it could be Indiana or Tennessee, but it was definitely from the west coast to this area and a devastating tornado happens. It is about their faith and their family and how they pull together through adversity. Journey Press decided that this would make a great bonus short story at the end of “From My Perspective by Joseph S. Bonsall”. So you are not only getting all the things we talked about, but you are also getting a wonderful little short story at the end called Billy’s Tornado. I am very excited about that.

Bev: Joe, what an honor and privilege to spend this time with you. I have enjoyed it so much and I cannot wait to read the book. Thank you so much for sharing your afternoon with me.

Joe: The pleasure was all mine and I am thrilled you took time out of your busy schedule for me as well. I look forward to seeing you again soon.

For more information on Joe Bonsall visit http://www.josephsbonsall.com/ and to pre-order your copy of “From My Perspective by Joseph S. Bonsall” visit http://www.amazon.com/ .


Transcribed by Darlene McPherson for Digital Rodeo

PRESS CONF: Rascal Flatts Joins Big Machine Record Label


During a "Pinnacle" moment from the 22nd floor of the gorgeous Pinnacle Building downtown Nashville and with the amazing view of the cityscape background behind him, Big Machine President/CEO Scott Borchetta announced that Rascal Flatts ( Gary LeVox (lead vocals), Jay DeMarcus (bass guitar, vocals), and JoeDon Rooney (lead guitar, vocals) would be the latest addition to the Big Machine family. A new album called Nothing Like This, produced by Dann Huff, is due out November 16. The first single “Why Wait,” written by Neil Thrasher, Tom Shapiro and Jimmy Yeary, is being released to radio today.


The trio’s most recent album, Unstoppable, was their last with Disney-owned Lyric Street Records. The Rascal Flatts catalog will remain with the Disney Music Group. There is no official word on the status of remaining Lyric Street staff.


“Rascal Flatts are the biggest band in country music and we’re honored and thrilled to have them join the Big Machine Records family,” said Big Machine Records founder/CEO Scott Borchetta. “While they are celebrating the first ten years together I selfishly can’t wait to start on their next ten years. They have made a fantastic new album and they are completely energized and ready to take on not only the US but also the rest of the world. Why wait?”
“We are extremely excited about our new partnership with Big Machine Records,” says Rascal Flatts bassist Jay DeMarcus. “We believe that Scott Borchetta and all of the folks over there are a perfect fit for what Rascal Flatts is trying to accomplish over the next few years. The last 10 years have been amazing but we are even more excited out the next phase of our career; Scott understands us, he knows what we’re about and it’s always a wonderful thing to have someone who believes in you and your music that much in your corner.”


For more photos of the press conference as well as the view of the city visit http://MomentsByMoser.zenfolio.com/rascalflattsbmr

REVIEW: Laura Dodd Industry Showcase


Tuesday July 20th, Laura Dodd wow'd the music industry with a special invitation only showcase. Special guests from Music Row, media, family and friends enjoyed a six song set on the world famous stage of the Wildhorse Saloon in Nashville, TN. Included in the set list were several tunes penned by Dodd "My Fellow Gypsy Friend", "Songbird", and "Spread My Wings". Also included were songs co-written by Dodd and Tom Walker "Daddy's In The Garden" and "Alabama Blues", as well as a Jesse Alexander tune titled "Unfulfilled".

It only takes a few notes of Laura Dodd’s singing to recognize that you’re hearing the next classic Country voice.

A native of Gadsden, AL, Laura acquired her passion for music early, hearing the a capella voices in the Church of Christ. With that as a foundation, as well as experience with various live ensembles and vocal coaches, Laura has entered the Country market with a spare, unique and highly original sound that blends traditional front-porch Country with Blues, Bluegrass, and even hints of Jazz. Laura has shared stages with the likes of Rascal Flatts, Patty Loveless, Bruce Hornsby, Josh Turner, and Ben Vereen. Her rendition of Sam Gay and Scott and Carolyn Parker’s “WOW” reached 54 on Music Row’s Country Music Breakout chart, without the benefit of a major label promotion.

Laura’s most recent release, “Songbird,” stands alone in the market, using only the barest of acoustic guitar or piano-driven arrangements. Laura’s voice harkens back to the great crooners of old. The single is the theme song of the film "Dandy Kids," a documentary about children living with Dandy Walker Syndrome. Laura also recently performed this song on Capitol Hill to help raise awareness of the disease.

Currently featured in a film titled "The Goal" gives Laura an opportunity to showcase her acting abilities and can be seen performing her song "Where Eagles Fear," co-written by Keith Perry.

You can hear and see Laura live on her website www.lauradodd.com or on www.digitalcafetour.com’s viral Internet video network.

Additional photos can be seen of the showcase at http://MomentsByMoser.zenfolio.com/lauradodd

INTERVIEW: Joe Nichols "Gimme That Girl"

Show Dog - Universal Music Artist, Joe Nichols and ASCAP writer Ben Hayslip were recognized and presented with #1 plaques at ASCAP on Monday June 14th for "GIMME THAT GIRL". Also on hand were BMI Co-writers Rhett Akins and Dallas Davidson. Published by Mellisa's Money Music, THIS Music and Warner / Chappell Music. Country Radio Broadcasters (CRB) also presented #1 plaques in recognition of the hit song.

Prior to the celebration I sat down with Joe Nichols to visit about his music and personal feelings about the song.

Q: What was it like watching that clock waiting for this record to go to number one? I know you have had number ones before, but it took quite awhile for this one to go from the debut to number one.


A: I do not think there was ever a moment with this record with this song that I thought we were in trouble. You always have those scary moments when you think the song is going to be dead in fifteen or twenty. But with this song I always thought it had life. I need to say that I pray about my life and my career and I prayed about this song. So I think this song is a gift, truly, from God. So I think having that confidence in a big old God that I believe in helped. Not saying that every time out of the gate we will get a number one song because we asked for it; but this time I feel like He blessed us and it was very nice to see that every week that it continued to build. The fans were reacting the way you always want fans to react to a song. And to watch it grow bigger every week, passing other records that I felt were very strong, it was very gratifying. It says a lot about this song, and I felt good from day one.

Q: Which do you prefer; a song that goes number one in thirteen weeks and then a few weeks later it is kind of on its way down or one like this that slowly simmers and gains a little bit more strength each week?

A: Well, in a perfect world you always prefer to have those songs that get to number one in fourteen weeks because that way you can have more of them. This song was about twenty eight weeks on the charts before it went to number one. So you are talking about two songs in a year. So if things go well, you could have two number one hits in the same year. If you cut that in half, you could have four in a year. But in bigger business terms I think a big huge swelling song, the slow burn approach, it takes twenty five or thirty weeks to get to number one, those tend to be the bigger songs. They sell the most records, because in order for a song to take that long to get to number one, you have more than just a great promotion stuff. You have to have the fan connection, plus a lot of other stuff and not what radio thinks of this song. All those things combined usually makes for an enormous song, which this turned out to be for me. They both have their ups. I would take a number one over a number two any day of the week and it does not matter if it is fourteen or fifty weeks.

Q: You said you prayed a lot about this song, when you make a song selection, what criteria do you keep in the back of your mind?

A: My first indicator is my gut. What does my gut tell me about this song? Because my gut is like anybody else’s instinct out there that listens to a song for the first time. What does it do to me the first time? Do I not feel anything at all? Do I feel like there is potential there? Then we can roll with it. Do I feel like this song offends me? Then it probably is going to offend somebody else. Do I feel like I love this song, am I passionate about this song? Then it is a good chance other people will react that way too. The thing I have to do most of the time is not think my way out of or into anything. I can hear a song on any given day and think twelve things about it. And I can hear the same song the following week and think twelve different things about it. So therefore I always try to rely on my gut as much as possible because it is usually right.

Q: Do you have anyone that you can bounce the songs off of to help you make the decision?

A: If I really feel strongly about a song, and I want to make sure I am not being bull headed about something, if I really feel passionate about something, I will ask Heather what she things about it. Am I being ridiculous in thinking that that is a massive song? And she will usually tell me what her gut says. If I cannot trust my guy I will trust hers.

Q: What is it about the song that actually resonated with the fans?

A: Well, I think first the melody catches you. That is the first step. That is the introduction. By all accounts, the melody is what you hear first. You do not really pay attention to the lyrics as far as the casual listener to the radio goes. And then after that I think comes the lyric; a clever, likeable lyric that does not offend anybody. It actually caters to women and it is a cute way of saying “ hey, the things that you do not like about yourself I find incredibly attractive. So you are attractive one hundred percent of the time. Just so you know.” Well what woman does not like to hear that? So, it is a good lyric, a clever lyric that is very endearing to women, with the melody which is the introduction that hooks you. So, all those things usually make it a big hit. It worked for us!

Q: Did you have any friendship with the songwriters before you heard the song “Gimmie That Girl”? Or how did this song come to you?

A: We were already in the process of making this record when I heard “Gimmie That Girl”. It came through the A & R Department at the time . So when Mark Wright sent me the song, I believe he e-mailed it to me, said to check this out. He thought it was good. I heard it and I thought, “Let’s put this in the pile of short list of songs we going in to cut in a week or two. There were probably seven or eight songs and we would probably take four or five. So when we got there that day, I remember sitting down Indian-style on the floor and looked at these songs spread out on the floor. And it’s like, okay, we got this one, this one and this one. Alright, which ones are you kind of iffy about and which ones are you absolutely sure you are going to cut? That was the first one. So let’s put this one over here. So we have like six left, you know? That is how “Gimmie That Girl” started. I thought it was too good to pass on. We had to do it. It just felt right. And I think Mark had already agreed long before that. He said “oh, that is a given.” It was good to get that unanimous kind of feeling about it. You know, sometimes, one guy has to talk another into something. Or two guys have to work on the other third.

Q: Hearing you talk it seems that it is not just about you, Joe Nichols. It is about the team around you. How good do you feel about the record label change in the past few months?

A: Well, I will say this. For me, there were some scary moments as far as the transition goes because when you see a record perform like “Gimmie That Girl” did, over the course of the record , you see it perform week in and week out, you know we have a big hit here! And then something as drastic, something as big as the label is merging with another label , there is going to be some completely new chemistry. The staff is going to be half old, half new, or maybe even mostly new, some old. When all that stuff changes, you think “Wow! This is going to disrupt everything!” I think the true credit lies in the transitional period. With the new team coming in and saying, “I am not going to mess this up. I realize what we have here and I am going to take this and put all of our energy behind it and give it its full potential or try to reach its full potential. We’ll do everything we can to make this happen.” I think there were a lot of people at Universal South that contributed to making this song number one for the first half of the record. They did everything they could to get it to a certain point. Then after that, like I said, true credit belongs to Showdog Universal for picking it up, realizing that we were in a tough situation with the transition, putting all their energy and effort behind it. They realized that it was too good to pass up, that they needed to make this happen. They had an opportunity.

Q: My question is more along the personal line, but when you realize that you have a number one, how do you celebrate it?

A: Nowdays, I think a simple little high five! Personally, with my wife, there is “Explicative---Yes!” That is usually what we do. Then we start planning other things. And moving on. I think internally the celebration is (clasps his hands) “Thank you Lord, for blessing me big time. This is much more than I could ever ask for--much more than I deserve”. So that is probably the celebration initially. And then we have parties like this where they serve you awesome food and people can talk to you and make you feel special.

Q: Did this song make the usual music row rounds where it was sent to different people or did you get hold of it first?

A: You know, I am not sure but I do not think it made its way around. I think we heard it pretty quickly after it was demo-ed. I am not sure how quickly but I do not think it made its way around. I think possibly one artist but I am not sure.

Q: Have you ever thought of doing an album of standards or classics?

A: You know that is funny but I talked about it just the other day, not only talked about the idea of doing a classic country album but as you mentioned, standards. Standard standards, like jazz maybe. Or classical . But we just talked about it as something way on down the road if we were given the opportunity. Of course everything costs money now days and that has to be a factor . But yes, we definitely had those conversations. It is definitely something I want to do.

Q: Social Media; how important is that in the marketing process

A: Well, the management company that I work with, Triple A, have great thinkers, they think outside of the box. They have a keen sense of how to include people in other ways than just radio. Of course there is a heavy involvement with radio, that is our number one priority. But to go along with and to partner with, other things ----to make sure the fans are involved on a much more personal level rather than just hearing a song on the radio and going and buying the record. The more fan involvement we have in the building process in this hit and hopefully others to come, I think that the more the fans, the audience, the listeners , the more personal we make it, the more one on one we make it, the more interaction we have with them , I think the more invested they feel. And we all know that this is an investment by the fans or we would not be here. I think it is important we do a lot of leg work and make sure we reach the masses in as many creative ways that we can. One of those ways is having contests. Certain contests and certain web interactions like those web casts we do to make sure that the fans get to know me and feel like they are a part of the building process. So that they feel like they are investing in what I do.

Q: Talk about the new single that is coming.

A: The next single is called “The Shape I’m In”. It was written by the same three guys who wrote “Gimmie That Girl”. We firmly believe in the motto “If it ain’t broke --”. If it is working, it is working for a reason. The chemistry is right, the writers know what they are doing. The producer knows what he is doing. Our job is to just not think about it too much. And get out of the way.

Q: You mentioned the fans and their interaction etc. Do you enjoy Facebook and Twitter?

A: Yes, sometimes a funny thought will strike me and I think that people enjoy some not-so-standard humor. You know, funny things happen on the road and funny things happen at home. I think it is another part of letting people in to see me in everyday situations. It lets them see some of the funny ways we interact with the fans and letting every one know that they are involved with me and the building process.

Well, thank you, Joe. Good to see you again. And thank you for continuing to bring us great music!


For additional photographs of the #1 Party at ASCAP for “Gimme That Girl” visit http://MomentsByMoser.zenfolio.com/gimmethatgirl

REVIEW: Little Big Town Ride For A The Cure

Over 500 bikers attended the fourth annual Little Big Town Ride for the Cure over the weekend in Nashville. The event was founded by the band to raise money for the Frances Williams Preston laboratories at the city's Vanderbilt-Ingram Cancer Center.

The day's events included a ride, an auction for a signed guitar and a Harley-Davidson motorcycle, and a concert featuring Little Big Town, Luke Bryan, Josh Thompson and the Band Perry.

"All of our families have been touched by cancer. Maybe we saved a life today," Little Big Town's Kimberly Schlapman told reporters at the event.

Bandmember Phillip Sweet, who rode in the event, explained that riding "helps you clear your mind." He added that riding a motorcycle is fun, "especially when you have the wind and the surroundings and the smells of outside, you're not focused on anything but just riding. It's therapeutic and relaxing. I really enjoy it."

Performances by Cali Rodi, Brett Eldridge and Randy Montans began at 8:30 at the Tin Roof during the registration and pre-ride activities. Post ride performances in Columbia included hosts Little Big Town, Luke Bryan, Randy Hauser, Josh Thompson, and The Band Perry.

The event was emceed by Storme Warren who aided introductions of the performers and special VIP guests and the live auction.

For more information on the event visit www.nashvillerideforacure.com

All proceeds from Ride for a Cure benefit the T.J. Martell Foundation:

The T.J. Martell Foundation is dedicated to funding cutting-edge, bench to bedside research nationwide at eight top cancer and AIDS research facilities. Since its inception 35-years ago, the T. J. Martell Foundation has raised more than $240 million toward groundbreaking and innovative leukemia, cancer and AIDS research. T.J. Martell-funded research has contributed to numerous important breakthroughs and advances in the treatment of these deadly diseases.
www.tjmartellfoundation.org

Additional photos of the event can be viewed at http://MomentsByMoser.zenfolio.com/lbtrideforcure

REVIEW: Blake Shelton at Winstar Casino

I consider myself not only a lover of country music, but also someone who truly appreciates artists at every level, but especially the who not only play the music, but feel it too. Winstar Casino in Thackerville, OK blessed me with two artists that fit that bill, Roger Craeger and Blake Shelton.
I have to preface this review by saying there has only been one other occasion when the music affected me the way it did at this particular venue. The last time was on a stormy night in Padre Island, TX and the artist was Garth Brooks. I realized back then, as the rain fell on my face, that the reason I was there was because of the music, and the music is and was so much more compelling than the face on stage. The music would live on long beyond the person performing it, all I had to do was listen.
Roger Craeger, a Texas music songwriter and singer whom I never consciously heard of before this performance opened the show. I was immediately drawn to his musical talent and his ability to perform for the crowd. Likely best known for his hit “The Everclear Song”, Craeger pays the trumpet, piano and harmonica simultaneously while delivering a soul felt performance. Influenced by artist such as Robert Earl Keen and Jerry Jeff Walker, Craeger delivered an upbeat opening act that included “I’m From the Beer Joint”, “The Everclear Song” and the ballet “Late Night Case of the Blues”.
What do opening acts usually perform, 6-9 songs? Well, whatever the final count was, I know Roger Craeger left that performance with at least two new devoted fans.
“It’s All About Tonight” was the opening number for Blake Shelton, an excellent precursor to what lie ahead. Blake delivered on this songs premise, making his performance special for this mostly Oklahoman crowd. The opening song was followed by “Some Beach” and “Kiss My Country Ass”. These three back to back hits brought the crowd to life.
Blake delivered a nice mixture of down home country songs and beautiful country ballads the way only Blake can do, packaged with a lot of humor and wrapped up with a whole lot of heart. Songs like “Just Hold On”, “You’ll Always Be Beautiful”, a Conway Twitty cover of “It’s Goodbye Time” (also on Blake’s Barn & Grill CD), and “I Drink”.
Blake shared with the crowd that he borrowed his brother-in-laws truck to take a few hours and go visit his farm just up the road. While he was there he wrote a poem and shared it with the crowd. I’d share the poem but it’s not suitable for print. It sure had the crowd laughing. When he was done reading the poem from the piece of paper he pulled from his back pocket he gave it to a woman on the front row.
Of course he performed the hit that introduced us to Blake Shelton, “Austin”. It was during his performance of “Home” that I had my “just close your eyes and listen” moment. His version of that song is by far the best there is. (Move over Michael Buble – love your sound, but Blake owns this one!)
The encore was by far the funniest and best ever. He was trying to play to the crowd with his cover of Rupert Holmes “The Pina Colada Song”. When he didn’t get the reaction he expected it occurred to him that he was in Oklahoma with a bunch of rednecks who would clearly relate to “Hill Billy Bone”. The crowd went wild for this hit. It was a perfect ending to a perfect night.

Dallas TX Correspondent Kathy Wheeler

REVIEW: Luke Bryan at Billy Bob's

Billy Bob's in Fort Worth, Texas plays host to many of country's biggest stars and Saturday July 10th, 2010 was no exception when Luke Bryan was in town.

Billy Bob's was the place to be on Saturday night, Luke Bryan drew a crowd of all ages. Luke, donning a baseball cap and vintage Billy Bob's "Buck Off" t-shirt, prepared for the show back stage by ingesting Red Bull and visiting with a large group of family members before opening his 2 plus hour show to a sea of fans all on their feet for the performance of "Doin My Thing".

Luke's boyish charm, infectious smile and obvious love for country music served as the foundation for a show that featured many of his chart toppers including, "Do I", "All My Friends Say" and "Country Man". Throughout his performance, Luke interacted with the over zealous crowd by taking personal notes from fans and entertaining with signature dance moves that included a timely wiggle when delivering the line "whiskey makes my baby feel a little frisky" during "Rain Is a Good Thing".

Solid vocals and his playful on stage demeanor speak directly to the crowd and serve as a testament to Luke's strong bond with his roots and his fans. Covering songs like One Republic's "Apologize", and Nitty Gritty Dirt Band's "Fishing In The Dark" demonstrate Luke's depth as a performer and cement his traditionalist style.

Luke's performance delivered a balanced mix of catchy, fun party songs and heartfelt ballads. The entire show kept the audience in anticipation of what was next and left them wanting more. Luke Bryan is definitely a country artist to be reckoned with and one that Billy Bob's and his Texas fans will welcome back with open arms.

Review: Digital Rodeo Dallas Correspondent Kat Wheeler
Photo Credit: Darren Wheeler