INTERVIEW: Justin Moore – Small Town USA

Justin Moore may be small in size comparison to a couple of his idols, Randy Houser and Jayme Johnson, but coming from a very small town and embracing the values of his upbringing is making him a pretty big name with his latest single, and title of his soon to be released CD, "Small Town USA”.

Justin and I slowed down from our crazy lives long enough to grab some lunch at Bosco’s and talk about the music, his life and his big dreams.

Bev: Justin, you have a new CD coming out this Spring, and I know you have been working very hard to get it done and get the music heard, how are you feeling at this point?

Justin: Well, right now we are looking at June 9th for the release and I am very excited for everyone to hear the rest of the project. We have worked a long time on getting this together and doing it so it is just right.

Bev: You did something a little different, along with your label The Valory Music Co., in the song selection process for this CD which enabled the fans to select which songs they wanted on the album. How did this all come about and how do you think it worked out?

Justin: The idea came from me, because I write songs all the time, and every time I finished one I went to the label and said “this has to go on the record”. They were good about listening, but jokingly said to me they were not going to put out a box set. What we did, was each week for the last ten weeks of the year, we put up two songs and would let them decide which of the two they liked better. It all works out great for me because I wrote them all, with the exception of “Back That Thing Up”, so I am thrilled with how it all has come together. I think it was a very cool way to get the fans involved, because they are the ones going out and buying it.

Bev: Will there be any bonus cuts or surprises on there, or have the ten been selected and that is all you will have on this one?

Justin: I believe we are set and the ten will be it. It is well rounded and the fans really did a great job choosing the songs I would have chosen as my favorites too.

Bev: Since moving to Nashville from your hometown of Poyen Arkansas, population 272, what has been the biggest adjustment for you?

Justin: Well I cannot pee off my front porch anymore. (Laughing) I grew up on 100 acres, so I could do whatever I wanted by walking out my back door. I could hook up to the boat and fish and go hunt without it being a major ordeal. I miss that. I go pretty stir crazy. I am actually trying to talk my wife into letting me buy a boat so I can go fish when I am in town, and that would help me relax and feel more at home.

Bev: Your childhood dream was to be in Nashville and become a country star, what has been the biggest eye opener and furthest from what you thought would happen?

Justin: Learning to be very patience is definitely the biggest thing I have had to learn. I moved to Nashville almost eight years ago and I think I speak for a lot of aspiring artist thinking we will move to town and make changes and be the next big thing. It does not happen that way. Even when you do land a record deal, the wheels move very slowly. In looking back it has been a luxury actually to be able to move so slow and grow and learn and appreciate everything where you are, and it keeps you working your butt off, because if you don’t someone else will step in there and take your spot and pass you up.

Bev: You have been touring with big name artists such as Trace Adkins, Lynyrd Skynyrd, Hank Williams Jr., Brooks & Dunn and ZZ Top. What has been the best memory you can share about this?

Justin: Hank Jr. and Lynyrd Skynyrd were probably my most favorite to go out with, but these guys were who I grew up with. It is who I drank hot beer too and that brought back so many memories for me and to be out on tour with them was just a pinnacle moment for me. That is the kind of stuff I dreamed of. My guitar player and I were talking the other day about how these guys influenced my music and how cool it is we were able to do that.

Bev: Now that you are becoming a household name, you are also asked to lend your time and help promote special events and charities. Do you have any stories that have impacted you from these events?

Justin: I played Gulf Shores last week for a cancer research fund raiser, and I had been to St Judes a few months prior, so finding a cure for cancer is close to my heart. There was an 18 year old girl there who had gone in for a sport physical and they had found a football size tumor in her stomach, but seeing this 18 year old completely bald just grabs you and makes you really realize what is important. We tend to worry about where are songs are on the charts and where we are headed on tour, but you see things like this and it makes you see the bigger picture. I have lost several family members in the last few years and my grandpa was just diagnosed with cancer, so this is a very personal issue for me and my family.

Bev: If you could choose a style of music and be labeled on that kind of artist, what would you want to be?

Justin: Well I think I have already been labeled an outlaw. I did not set out to be, but I kind of been branded that from the first song I released digitally, and then a slightly risqué’ video to go with it, and now “Back That Thing Up”. But that is okay with me, it is what I grew up with and listening too. Right now the only other outlaws are Jayme Johnson and Randy Houser and I love them two, so to be in their company is fine by me because I respect their music.

Bev: You have been singing from a young age and I am sure have been offered advice many times along your career. What is one piece of advice that always stuck with you?

Justin: I grew up singing in church, and remember there were only about 300 people there, so not very many people sang in key. I had to do all the leads in plays and musicals. When I moved here, the best advice I received was to be myself and follow my instincts. If it felt right to me, then it would be ok. Stay true to yourself. I had people tell me I could not say certain things in my songs and they have ended up making huge strides for me. I was told no one would listen to “Back That Thing Up” and it is the song that got me my record deal and on tour with Hank Jr and Skynyrd.

Bev: Do you have a favorite song to perform, whether it be old or new or regardless if it is something you have written?

Justin: I think as a songwriter you always enjoy playing your own songs. Your favorite is always the one you just wrote yesterday. We always end with ZZ Top’s “Give Me All Your Lovin’” when we play live, it is a personal favorite of mine and fun to do.

Bev: If you could choose anyone from the past or present to perform with, who would you like it to be?

Justin: Dwight Yoakam. I am a huge, huge, huge Dwight Yoakam fan. I am never nervous to meet people, but I am honestly not sure what I would say to him if I met him. I would love to make it happen that we could perform together though, and I guess it would force me to think of something to say.

Bev: If you absolutely could only do one or the other, would you choose live performances or studio recording?

Justin: Ohhhh no doubt live performances. A lot of artist enjoy the studio, but it is boring to me. God bless the producers and studio people, but I did not get in this business to do that. Someone asked me if I would want to co-produce my next album and I said no way. I do this to get out on stage and sing and perform to a live audience.

Bev: Are you presently anyone sponsoring you or you have anything in the works you can talk about?

Justin: Yeah, there are a few things in the works. I am a redneck at heart and Wrangler has been talking to us about some things, which would fit into who I am. We have a few other things we are looking into, but as of right now, we are not sponsored by anyone. I would love it if Bud Light would come on board.

Bev: What is the best thing about being an artist or performer?

Justin: Going on stage every night and seeing the crowd react is the best. That is what I meant before, I live to get on that stage and sing to a crowd. The part people do not see or realize is my least favorite, but it is still fun. We are putting in very long days between stage set up and interviews and sound check and all of the other little things that go on to put this thing together. My parents were at a show the other night and I barely got to spend five minutes with them, because I was busy with everything else. So that is the hard part.

Bev: Have you had anything really embarrassing happen to you while you were performing?

Justin: I have been pretty lucky not to fall over any of the wires, but the other night I tripped and pulled the cord out of my guitar player’s guitar and the lick just stopped, there was no sound, and it was a little embarrassing. Another was I jumped down off the stage into the crowd and the stage was up maybe eight or ten feet off the ground and I realized there was no way back up. I had to rely on a body guard to give me a boost back up there.

Bev: I know you will be doing the Opry this week for a special show, can you tell me about the show and how you feel about playing the Opry?

Justin: Playing the Opry means more to me than about anything else. The tours were cool, but the history there is so amazing. We are doing a show called Country Classics, so I get to do a Waylon Jennings song and one by George Strait. It is a Texas themed show and I am very excited about that. I dream of being asked to be an Opry member someday.

Bev: As far as promotions and other events you have going on in anticipation of the release, can you share some of what you are doing?

Justin: Right now we are on the road most of the time performing and introducing the music to the people. You have to get out there and expose the music in order to get a following. I am doing some listener appreciation shows for radio stations. Country Radio has been amazing and I have been asked to do a lot for them, especially the writer rounds.

Bev: I understand you have started a You-tube video series, can you share the story behind these?

Justin: That started out because I was bored one day while out on our radio tour and the gal from the record label turned the camcorder on and I was just being stupid and acting like a moron and being myself. The fun thing is my fans love it and it keeps them coming to the website. We have a lot of fun with it.

Bev: The ultimate question of the day, do you Twitter?

Justin: That is so funny you asked, because I have a meeting with my label today about setting up a Twitter account for me. Is that not ridiculous? A Twitter meeting. I am so illiterate when it comes to technology. But we will figure it out. As of today or tomorrow you can follow me on Twitter. I will be Tweeting.

Bev: With CMA Fest around the corner, do you have a lot of things planned for that?

Justin: I know I am going to be there, but where I am playing yet I am not sure. I know we are trying to organize a fan club party and I might be involved with some other things if we can work it all out.

Bev: Justin, I have enjoyed our time talking to you and wish you much success and longevity with your music career. I look forward to seeing you again.

Justin: Thank you and I have enjoyed talking to you too, I appreciate you taking time to do this.

For more information on Justin Moore visit www.thevalorymusicco.com/justinmoore or www.myspace.com/moorejustinmusic.

REVIEW: Trailer Gate 2009 Trailer Choir throws a party!

Butter, Big Vinny and Crystal, more commonly known as Trailer Choir, are one of the best up and coming vocal groups to emerge onto the music scene and a group of fun loving people who love to enjoy life. And speaking of fun, TRAILER GATE 2009 took over 12th & Porter on Wednesday, April 29th. Emulating a tailgating party, the crowd embraced the event wholeheartedly. Scanning the crowd a couple familiar faces could be spotted joining in on the fun. Marcel Chignon had his movie camera there to capture the moments, and Stephan Cochran was mingling amongst the crowd and Stacy Collins was on hand with her harmonica to jam with the band later in the night.

On the sidewalk just outside the front door, Buffalo Bill Wild Dogs were served up in true Trailer Choir style by a redneck cowboy with a straw cowboy hat who kept the crowd laughing with his off the wall comments and bursts of loud commentary. Bean bags were tossed in friendly competition as friends and fans gathered to celebrate the inaugural event. A Forrest Gump look-a-like (Paul Denglar) worked the crowd dressed from head to toe as the popular movie character, complete with his old battered suitcase and a box of chocolates. Inside, the party warmed up with cold beverages and live music complete with a stage decorated with straw bales and tire swings hanging from the rafters.

Billy Block took to the stage as emcee to welcome and thank everyone as Ken Johnson opened the night and got the crowd to move the party inside with his music and songs, including performances of “Flyin’ Without Angels” and “Parallel Lines”.

If you have ever seen Trailer Choir perform, you know you are in for a good time of great music, fun lyrics and entertainment all wrapped together. Trailer Gate 2009 was no exception. Big Vinny danced to loud cheers and endless encouragement by the crowd, and was joined by “Forrest Gump” at a couple times during the show adding to the excitement. They have become known to sing about real life, having fun and enjoying each and every moment through songs like “Off The Hillbilly Hook”, “Rollin’ Thru The Sunshine” and the party anthem "Rockin' The Beer Gut".

There is another side to the group besides fun, there is an amazing talent in their writing and their ability to harmonize is incredible. They took a moment to quiet the crowd and show news reel clips from the Sago, West Virginia mine collapse that claimed the lives of 12 miners. They explained that in the following days of recovery, it was discovered that a few of the men were able to write and leave a couple short notes to their loved ones. It was this story that inspired them to write their newest song, "What Would You Say", a song about living life to the fullest; a song about living your life with no regrets and making the most out of every chance you have to be with the people you love and know.

Looking at the group’s bio on their website is a quote stating, "It's as real as life gets," Big Vinny continues with... "Sometimes you need to remember what's really important. And that's what Trailer Choir is all about." I would say, from the experience at Trailer Gate 2009, life is going to get even better for this group!

For more information on Trailer Choir visit http://www.trailerchoir.com/music or http://www.trailerchoir.com/ and information on Ken Johnson can be found at
http://www.myspace.com/kenjohnsonsongs

Additional photographs of the event are at www.digitalrodeo.com/drphotos/photos/album/TrailerChoirHostsTrailerGate2009Party.







Jason Michael Carroll's Grand Entrance At Walmart



Jason Michael Carroll made a grand entrance at WalMart in Lebanon TN on Tuesday April 28th as he arrived in a helicopter, along with Big D and Bubba from WSIX radio.

Jason graciously honored requests for interviews and shook hands with his fans as he emerged from the helicopter deemed the HELLOcopter by the team from the Big 98.

Welcomed by dedicated fans from all over (including a couple from IL who greeted him with a huge banner with his CD Title on it), he celebrated and performed songs from his brand new album, Growing Up Is Getting Old, including “Where I’m From” and “Happened on a Saturday Night (Suzie Q)”. Both of these songs are from his sophomore album which hit store shelves Tuesday. He also sang some of his previous hits from a full stage complete with stage lights to a crowd in the parking lot of Walmart.

Commenting he does this five or six times a week, he joked with the crowd about what a great experience it was to arrive as he did. After the concert, he made his way inside WalMart where he autographed copies of the new CD for the fans.

INTERVIEW: Daryle Singletary ROCKIN’ THE COUNTRY

Daryle Singletary is living his dream, and has been since a very young age when he began performing for school and church functions. With his upcoming release of ROCKIN’ THE COUNTRY he is busy promoting the new project and enjoying the music as much now as ever.

The new cd is true traditional country, with a little help from some friends like Rhonda Vincent and Charlie Daniels. He sings about life, love and death and a little bit of everything in between that you would expect to find on a country album. Daryle and I took a break from his schedule to visit about his music and the new CD.


Bev: I have the new project in my CD player and have to tell you that your fans will love this one. Congratulations. How does it feel to be in this phase of releasing it and as you promote it?

Daryle: It is awesome. It has been awhile since I have had a CD with all new songs and no remakes on it. I am still at the point where I am flattered and thankful to be in this business. To make records and knowing how tough it is to be a traditional country singer and to be able to do this after fourteen years I am very thankful.

Bev: I know you took your time with this project, can you elaborate on this a little?

Daryle: We actually had this record done in 2004 and I was a victim of my record label closing down and packing up. We had already started the promotion process and were ready to release it so it sat on the proverbial famous shelf and sat there. I did some other work in between and built up some funds to buy this project from the label, and trust me it took some begging and pleading to let it sit there this long. They wanted to do digital releases of songs from the CD, but I really wanted to be able to promote it as a whole project. We finally agreed on a price, and decided to do replace two re-makes and here we are.

Bev: When you originally started on this project, did you have a game plan on the overall sound or do you prefer to let things take shape as they go?

Daryle: I never try and do a theme, I look for good country music and songs that I love. Hopefully the public will enjoy it as well.

Bev: Did you write any of the songs on this CD?

Daryle: I wrote one with Billy Lawson, “She’s A Woman”. It is about a new girl he had been dating at the time and we were talking about the things women do and think compared to how men do.

Bev: Have you picked out your favorite on this project?

Daryle: “She Looks Good In Black” is one of my favorites, but they are all good. This particular story comes from a man who has passed on and is telling the story from his casket, so it is different.

Bev: You have a couple guest artists on the project, Rhonda Vincent and legendary fiddler Charlie Daniels, how did this come about?

Daryle: Rhonda and I have been doing things together for years. She did background for me on some of my past work and we did a couple duets together. We just sing well together, so it was awesome to have her participate on this project as well. Charlie Daniels we had sent the tracks and asked him to add some fiddle, but when we got it back, he also had sang some too to we were very blessed to have him on the CD.

Bev: I know your childhood dreams were to be here in Nashville and become a Country Star, how much of the dream is still with you, or has it changed over the course of time?

Daryle: I believe all of it is still a dream. I have been very fortunate to do this for a living, it is a dream in itself.

Bev: As you prepare to put your seventh project on the shelf, what constants did you try and incorporate into it to make it stand out and be a Daryle Singletary album?

Daryle: I moved to Nashville in 1990 to be a traditional country singer after growing up listening to George Jones, Merle Haggard, Randy Travis and Keith Whitley. I think I am more who I am than something I try to, or set out to do. People who know me, know this is where I come from and don’t ask me to change or compromise.

Bev: You have been on stage and performing since a young age. Do you get the same rush of excitement you did then or has it become more comfortable over time?

Daryle: I think it is different. I remember singing to girls in high school and thinking this is it. Today the excitement is still there, but in a more appreciative way. I still get butterflies when I play at the Opry.

Bev: During the productive and creative part of creating this CD, what is your favorite part?

Daryle: When it is in the plastic and on the shelf. That is my favorite part. (laughing) I enjoy all of the aspects really. It starts with a demo and then you get the great musicians and you create a baby out of all this, it is really a cool transition from beginning to end and I like the whole span. It is all a part of the dream. I will be honest, this part of interviewing and all is not something I would do all the time, but it is still fun.

Bev: If you had your choice on how to promote the music, what would you choose?

Daryle: Playing it live. If I could get out to the masses and play live, that would be ideal. I play for free – they pay me to ride up and down the road in a bus. I am a fan of the music , so to play and see people react, that is what it is all about. So if I could promote it in that fashion alone, I would be all over it.

Bev: What are your feelings and thoughts as an artist on the digital exposure so widespread today, like you-tube for example?

Daryle: I think people who may not know who Daryle Singletary is might just stumble across something and like it. Everything is word oriented when doing a search, so the exposure is wonderful. People who type in a phrase like “too much fun” or something and they will be introduced to me. I do not approve of the illegal downloads of course, but promotion is promotion so hopefully it does good for an artist when people post clips like that.

Bev: Any plans for videos off of this project?

Daryle: We have talked about some opportunities for videos. There are a lot of cool things to work with, so we have some ideas.

Bev: As an artist you are often asked to support and participate in special events and fund raisers; is there any particular one so far that sticks in your mind?

Daryle: Definitely. I went to St. Judes Hospital in Memphis and the thing that sticks in my mind is when I went into the Chapel and the children all write out their prayer requests. I read through some of them and not a one was about themselves. Each request was asking for strength or for something for a friend, a parent or sibling.

Bev: You have had opportunities to be on stage with some of the industries biggest names and finest artists, anybody that is your favorite?

Daryle: I had the opportunity to play with George Jones in the late 90’s and he always asked me to do “Rockin’ Chair” with him and that was very special to me. I also was on the Workin’ Man’s Tribute to Merle Haggard on the Ryman stage so to be there with him and his band was a time I will never forget.

Bev: Do you enjoy singing songs by others or would you prefer to sing your own and create a legendary song of your own?

Daryle: I think there is a time and place for both. I am not scared to sing something another artist has cut, and I do not try and re-create it and make it better. I do like knowing there are songs out there that always make fans identify with you too.

Bev: Standard interview question for you, if you could only choose one person to perform with who would you choose?

Daryle: Keith Whitley. I am a huge fan of his music. In 1986 both Randy Travis and Keith Whitley were performing at the State Fair, but my parents said I had to choose one or the other. I chose Randy, but hindsight being 20/20 and not knowing his fate, I wish I could have seen him perform. I would love to have been able to sing with him.

Bev: Similar question, but if you had your choice to only perform live in front of an audience or do studio work, which would you choose?

Daryle: Hands down, perform live. I love the interaction. You get crowd response and feedback right there. There is nothing that compares with that feeling.

Bev: I know Toyota is sponsoring you, do you have any big things in the works with them you can share?

Daryle: We are working on some races and doing some promotional events around the country. It is all still in the works, but yeah there is some things in the pipes.

Bev: When comparing things you like or don’t like about being an artist, what do you enjoy most and what do you not enjoy the most?

Daryle: I love singing live on stage. I dislike the traveling and being away from my family.

Bev: Anything you recall as being the most embarrassing thing to happen to you on stage?

Daryle: Just recently actually. My wife and I just moved back to Georgia and the pastor asked me to sing at the revival. Well I got up in front of God and everybody and I started “Amen Kind Of Love” which was a top five single for me, and I forgot the words to the second verse. I have sung this song for ten years, and I was drawing a complete blank. It was me and guitar, I had no one to help me. It was terrible. Then a few weeks after, my friend through Toyota asked me to sing the same song at his daughters wedding as people were leaving the ceremony. Believe it or not, the same thing happened. I got to the second verse and was lost. This time I just played until I got to the chorus and then finished up.

Bev: Daryle, I want to thank you for this time, I have enjoyed the CD and this time together. I wish you much success. Is there anything you wanted to add that I did not ask you?

Daryle: This is simply music we enjoy and I hope the fans will too. It is a traditional sound and we are excited to finally see the light of day with this project. Thank you very much for your time too, I could not do it without people like you.

For more information on Daryle Singletary visit http://www.darylesingletary.net/ or www.myspace.com/officialdarylesingletary.

REVIEW: Nashville4Africa Benefit Concert

I am invited to attend and review many genres of music performances, but on April 22nd at the inaugural Nashville4Africa benefit concert held at the Schermerhorn Symphony Center was one of the most heart warming and emotional experiences I have had in a very long time. In a very non-traditional concert style, songs were performed in a relaxed and easy style. The African Children’s Choir joined many of the special guests on stage in their colorful attire to sing along and entertain the crowd with traditional African dances and song. The evening culminated with a sing-a-long led by all the entertainers, but the emotional high was listening to the young children sing “Jesus Loves The Little Children”, “He’s Got The Whole World (In His Hands)”, “Jesus Loves Me” and “It’s A Small World”.

Artists from the many circles in the music industry joined together to bring the critically acclaimed African Children’s Choir to Nashville for a benefit to raise money for charitable causes in Africa, specifically in Uganda and the war-torn country of Sudan. Hosted by Big Kenny (of Big & Rich) and Damien Horne, the music event also included performances by Keith Urban, Faith Hill, Dierks Bentley, Brad Arnold (3 Doors Down), Ashley Cleveland, The SteelDrivers, Jars of Clay, Brandon Young and Third Day. The most touching moments of the show were during the performances by the African Children’s Choir who have performed with Wyclef, John Legend, Paul McCartney and many others.

Kenny Alphin and his wife Christiev will continue their humanitarian missions in Sudan through the Love Everybody Fund of The Community Foundation of Middle Tennessee, a charitable organization benefiting from this event. Through this foundation they have already helped start a medical clinic, build a school for girls, and will soon transport much-needed medical and educational supplies to Sudanese villages. A portion of the event’s proceeds will also help build a new school in Uganda for the African Children’s Choir, which cares for and fosters thousands of underprivileged children throughout Africa.
For additional photos of this amazing event, please visit http://www.digitalrodeo.com/DRPhotos/photos/album/Nashville4Africa

For more information, or to make a donation to these organizations, please visit http://www.nashville4africa.com/ or visit http://www.africanchildrenschoir.com/nashville4africa and http://www.loveeverybody.com.
For sponsorship opportunities please call (615) 300-1474

ARTICLE: One Revolution Entertainment Kick Off Party



A rooftop party at the ICON in the Gulch, downtown Nashville, was the place to be on Tuesday April 21st as One Revolution Entertainment (ORE) celebrated their kickoff event. Prior to the celebration, a showcase in conjunction with the Nashville Film Festival with the musical talent of Nathan Lee and Rob Blackledge was held at 12th and Porter. In attendance you could find Doug Crider, Suzy Bogguss, Charlie Monk, members of Love and Theft, Rob Blackledge, Nathan Lee, Sam and Lynn Bush among many more recognizable faces in Nashville.

One Revolution Entertainment is a collaborative effort spearheaded by Dean Miller and Iris Thompson who are setting out to change the traditional concept of the entertainment business. ORE plans to act as a multimedia entertainment distribution outlet that will include film and television production, artist management and development as well as publishing.

Dean Miller has been in the industry all his life, as his father is country legend Roger Miller. He has been on several major labels including Universal South, MCA, Capitol and Koch as a songwriter and artist and recently worked with Iris Thompson on a television production venture, where the concept for ORE was born. Dean was the creative director at Bluewater Music, New Millennium Music and a staff writer for Sony and Universal Music.

The idea of change in our society and the ability to grow and change with the demands forces those in the music and entertainment industry to turn a critical eye to conventional thinking. ORE will focus on new concepts in integrated marketing techniques along with fan and artist relationship management. Both Miller and Thompson are willing to face these ever changing challenges and take the risks to create and facilitate a successful multimedia entertainment distribution outlet.

Some of the work already in progress is teaming up with established industry and entertainment executives who bring their past experience and knowledge to combine with the goals and vision of ORE. A relationship has been forged with Two Horns Entertainment Group (Bill Kunkel and Doug Metzger) that currently has several major film and TV projects in development, as well as over 30 years of experience to advise and provide consultation in creating broadcast content and discovering avenues for distribution. Wayne Leeloy, founder and consultant for Foundation Music Group will provide guidance in artist and brand development as well as his expertise in marketing strategy.

One Revolution Entertainment is dedicated to build relationships and collaborate to find new ways to expose their artists’ music to the industry and the fans.

For more information on ORE visit http://www.onerevolutionentertainment.com/

(Left: Nathan Lee and Rob Blackledge pose for a photo during the party)

ARTICLE: Opry Originals Ribbon Cutting



Downtown Nashville has added a new retail store which combines a flair of country music history with the new contemporary lifestyles of the visitors to the honky tonk district with OPRY ORIGINALS: The Shop on Broadway. On April 20th a star studded celebration took place during the Grand Opening and ribbon cutting ceremony.

The customary ribbon was replaced with a custom designed rhinestone-studded ribbon created and designed by Manny Cuevas, son of Manuel, clothier to the stars. Grand Ole Opry member, Little Jimmy Dickens held the honor of cutting the ribbon, assisted by Mayor Karl Dean. Other dignitaries on hand at the event to mark the official opening of Opry Originals were Gaylord Entertainment’s Colin Reed and Steve Buchanan as well as Ralph Schulz; President of the Nashville Area Chamber of Commerce.
(Photo Above: L - R Manny Cuevas, Little Jimmy Dickens and Manuel)

Opry Originals: The Shop On Broadway is located at 300 Broadway in the heart of downtown. Items to be included will celebrate the Opry lifestyle with a custom designed clothing line by Manny Cuevas and his father Manuel. Visitors to the store will also be able to find special gifts, local artist items, Opry Country kitchen line of food products, as well as dinnerware and home furnishings, along with many of the souvenier items found at the original Grand Ole Opry Shop.

Nashville is known as Music City, and a store with an association with the Grand Ole Opry would not be complete without including artist in-store appearances and opportunities for book and record signings. Grand Opening week book included signings by author Kay West, and famed photographer Jim McGuire and also featured in-store appearances by Point of Grace, Manny Cuevas and Lorrie Morgan.

For more photos of this historic event visit http://www.digitalrodeo.com/DRPhotos